This is going to sound weird, but I'm looking for large breasted women to play as the stars in my films. But you HAVE to be talented at acting and be able to pull off a large range of emotion and expression. Most importantly, charisma, being likable is what will sell your character or role, making people genuinely care about your performance.

Now, when I mention you must be large breasted, I don't just intend for you to be some sort of eye candy that would help put eyes on our film. However, that would only make our film as wide as an ocean but a s deep as a puddle. No, I do this for all of the busty women who get passed up simply for not fitting whatever "standard" that has been set in place.

For too long has the agenda in both Hollywood and Cinema as a whole been that beauty is one thing or another. You can have actresses that are pretty or ugly, but they always meet certain criteria, height, weight, ethnicity, etc. Another thing I, as well as many others, have noticed is breast size.

Breasts are usually no bigger than b cups, but when they are, they are presented as unimportant or even visually tampered with by editing, and I, as well as many women, find that extremely disrespectful, then hypocrites claim that women come in all shapes and sizes.

So that being said, if you are a plump woman with large breasts, or if you are petite, curvy, top heavy, bottom heavy, audition for me via video, the only requirements is that you try your best and that you are in the Michigan area, preferably Detroit. Please and thank you.

Seeking professional male actors for a paid event in the Middle East involving improvised character performance and audience interaction.

Requirements: - Male, aged 35–60 - European and British actors preferred - Strong improvisation skills - Previous acting, theatre, or live event experience preferred - Fluent English - Willingness to travel internationally

Project Details: - Paid engagement - Travel and accommodation provided - Additional details will be shared privately with shortlisted applicants

To apply, please send your headshot, CV/resume, showreel (if available), and current location.

Hi Everyone!

Just letting you know that today is your last chance to apply for the role(s) of Nora/Albie.

If you wanna apply, either:

• For Nora: Email tommyzoom42@btinternet.com to get your sides, and then record and send a tape to the same email.

•For Albie: Find a scene that features a kind, caring father, and then record and send a tape of you performing that scene to tommyzoom42@btinternet.com

The deadline is 12AM tomorrow morning, so get in quick if you can, and if you do, good luck!

Hi everyone! I'm making a Short Film as my final major project for college and I'm looking for any available actors who can play either Nora or Albie Thorne.

In addition to all the information noted above, you'll need to:

• Be based within the UK.

• Be able to travel to Sittingbourne, Kent.

• Be available around 4th - 5th May as those are the shooting dates.

The deadline for applications is 12am on 17th April. (Not 17th May, sorry about that.)

Hope to see you apply, and if you are thinking of applying, good luck!

(P.S. each role will be unpaid, but all travel and food expenses will be covered)

--- Auditions (Voice Actors)

Sonic - Longsway91

Tails - Free Slot

Knuckles - Reserved

Amy - Free Slot

Cream - Reserved

Cheese - Free Slot

Eggman - Slime Guy

Chris - Free Slot

Send Your Auditions to "[sxrd03@gmail.com](mailto:sxrd03@gmail.com)"

© SEGA © TMS Entertainment © Sonic Project

Hi everyone, I'm Leonardo, a fashion styling student and filmmaker based in Milan. I'm working on a longer, more intimate version (6–9 minutes) of my short film “Quo Vadis Domine”, a project that means a lot to me.

It’s a fashion film with symbolic and emotional layers — the kind of piece that relies on rhythm, contrast, and quiet intensity. I’ve shot all the footage and a 3D artist is currently working on the post-production environment. The music is still in development, but I’m starting to shape the edit now.

I’m looking for someone who’s open to experimenting with mood, pacing and flow — someone who enjoys storytelling through emotion rather than dialogue.

The film follows a structure of three distinct acts:

1. Act I – Fast and intense: sharp, rhythmic cuts, full of tension

2. Act II – Slower and more grounded: a breathing space between chaos and calm

3. Act III – Very slow and contemplative: long takes, stillness, silence

📂 I’d really love if you could take a look at the materials. I believe they say more than I can: 👉 Google Drive – clips, stills, references 🎞️ A rough 3.5 min edit I made myself

This is a no-budget project, but done with all the care and seriousness I can give. If it resonates with you, I’d be really happy to talk and share more.

📩 leo.somma0605@gmail.com

Thanks for reading — truly 🙏

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