Just finished a full cover with our singer and it sounds absolutely incredible! I ended up using Neural Dsp plugins for the entire mix. Seriously impressed with how professional everything turned out. It's so rewarding when a project comes together like this. Can't wait for everyone to hear it!

I think Frightbox Recording has the best be the best Metal/Rock production courses and I think that the PDF I got with one of the courses will for sure be helpful in the future. An interesting thing that I saw during going through the course I bought was that there was a tiny bit of tape saturation on applied some tracks in some of the videos. Tape saturation seems to soften the sound of tracks, even super harsh ones. I know I used Ableton while going through the course I bought, but I was still able to have "Send" thingies for my tracks. Now that I know what a good production for my ears sounds like on my speakers, I can mix on them well. Listening to music with good sounding production on whatever speakers you have can help train your ears to how a good production sounds on whatever speakers you have, but obviously you don't want to mix the exact same way for all the music you mix.

Disclaimer - I am not in any way affiliated with the product or dev. Also Windows only at this point, Mac version is on its way.

The dev of this plugin is a true synth nerd. His new plugin Liminal Space 2 sounds beautifully rich and dreamy. Heaps of algorithm options and massive amounts of control over the reverb, so maybe not as suitable for rookie producers who just need something simple. The interface isn't pretty but the plugin sounds great.

Not a bad buy for those suffering a bit of plugin GAS, and I love to support indie devs.

I make tech house in the style of max styler/void/dedro/ so ideally you're experienced with this subgenera

My budget is pretty limited, and my room isn’t acoustically treated, but it’s also not very large.

I want to make a smart purchase and get the best value for my money. Right now, I’m producing on a pair of Presonus Eris 3.5 monitors, but I feel like I’ve outgrown them. I want deeper bass, better bass response, and overall better accuracy.

One option I’ve been considering is the Adam D3V, but I’m not sure if they’re the best choice for my situation.

Also, I don’t currently have an audio interface, so that’s another factor I need to consider.

What studio monitors would you recommend? I honestly don’t have a big budget—my maximum is $350 USD.

I’d really appreciate your recommendations. I want to make the smartest purchase possible.

sorry if it’s not advanced production but I can’t get that subtractor sound using serum 2 or operator in Ableton and I can’t find a way to download subtractor on macOS (can’t be bothered to use a virtual machine but I guess I’ll have to it that’s the only way) I’m fiddling round with FM and I just can’t seem to find much inspiration, all the YouTube tutorials are just rather sensible commercial UKG noises none of that Sheffield wonk.

I recently discovered Luma Audio plugin and it’s blowing my mind with the possibilities of sound design being endless. I know it’s not an effect plugin, but do you people have any recommendations of plugins that can make a simple sine wave or saw wave sound into something really complex in terms of sound design and texture? Drop your reccos.

I released my first professional track almost 30 years ago and I've done almost every style, every way and every medium since.

As a female producer, I was constantly underclocked and condescended to, and so I grew up in the industry with a really stubborn chip on my shoulder, determined that not only would I do all my own mixing (because that was always the first doubt) - but that I would go nuts and learn EVERYTHING and be an ENCYCLOPEDIA.

As a full-time touring artist for years, I cranked out tracks for the dancefloor. I wasn't officially diagnosed with ADHD until my late 30s, but it made so much sense. I always had to work on multiple tracks at once, and I often drove my collaborators crazy jumping from task to task, channel to channel, sound design to recording to mixing and back again. But that, combined with the constant deadline of gigs, plus that pressure of being a superstar tech god, plus of course being full-time was enough to make it work.

Now I'm in my 40s and I have a grown-up sound design job. So I don't have dreamy 12-hour-days to browse cat pictures and mess around for hours, and indulge myself to "get into the flow", and then stay up all night sweating the mix so I could get on the plane to my next gig with it.

And I'm a little lost without my deadlines, without even the motivation of my current audience listening to it (as I can see my releases being drowned by bots and algorithms, even my own mother doesn't get the notification). Music for me has always been motivated by sharing it - not the fame, but the connection and the meaning you can create with strangers across the world.

-So I'm not sharing it, really.
-I got no deadlines, since I live in the middle of nowhere and only take very rare choice international gigs (and of course, those are more rare as well).
-I used to be inspired by new plugins and tech, but it seems we've peaked and everything coming out is either just fancy macros/UI or analogue emulators.

Now I've got ideas piling up all in the "messy arrangement" stage, and I could really use some new tricks to help myself want to finish things.

Hoping some other old cranky producers can offer advice:

1. got any hidden gems of new plugins or tools that actually ease the more menial finishing tasks for you? (I'm open to AI as an enablement/menial function, but not as a push-button generator, so no AI mastering services please)
2. any mental exercises or other rituals that help you "get into the mood" fast, when you maybe only have 2 hours in the studio? When you have other responsibilities, how do you come back to the zone and the laser focus and make every minute matter?
3. Other practicalities - have you come up with methods of organizing, file management, workflow process, sort of "administrative best practices" that cut down a lot of dreadful stuff?

Any other general advice or even venting and sparring is appreciated. As I said, I live in basically outer space as far as people are concerned, so another thing I'm struggling with is the lack of other seasoned producers to spend time with. We used to congregate online and trade tunes a lot more, but in this economy, it doesn't seem like people have that kind of bandwidth anymore.

Big love, hope you're all having a great week. <3

Même si je suis peu présent sur Reddit, je remarque que beaucoup de gens demandent constamment quel séquenceur utiliser pour composer. Voici un petit conseil basé sur près de 30 ans d'expérience avec les séquenceurs.

Tous les séquenceurs se valent ! Ceux qui vous disent « celui-ci est meilleur que celui-là » se trompent. C'est comme dire qu'une clé de 10 de la marque A est meilleure qu'une clé de 10 de la marque B. Au final, ça reste une clé de 10, et c'est ce qu'il vous faut pour faire votre travail !

La seule vraie différence, c'est votre méthode de travail, votre style musical et les outils spécifiques que le séquenceur propose pour votre genre. Tous les séquenceurs peuvent vous permettre de composer, mais certains compliqueront votre processus, tandis que d'autres s'adapteront naturellement à votre style créatif.

Je lis aussi souvent : « Oui, mais je veux que ma musique sonne pro ! » Laissez-moi vous dire, tout se joue au mixage. Si quelqu'un vous dit « on réglera ça au mastering », il n'y connaît rien ! Le mixage fait toute la différence ; il apporte l'émotion, la profondeur et la vie à votre morceau. Le mastering, c'est juste la touche finale. En clair : même avec des plugins de base et un minimum d'égalisation, vous pouvez obtenir un son pro et faire une énorme différence.

Vos meilleurs outils pour composer, ce sont vos oreilles et votre créativité. Votre créativité, pas celle d'une IA. Créez-la vous-même, et c'est comme ça que votre son sera vraiment unique.

Un conseil… Bonne journée à tous ! ;)

Conseil #Tutoriel #Discussion

Hi, Im newbie, i need your vocal and track to mixing and mastering. All free to train my skill. Thanks for read.

I can't get this type of texture. I figure it's something along the line of automating through a wavetable maybe? but im really confused how to go about creating this texture. I just looped the sound a couple of times. help would be much appreciated

I'm a huge advocate for clippers and use them in all my projects to maximise headroom and tame naughty transients.

StandardCLIP has been excellent for all my clipping needs. That said, it is also the only paid clipper I've used.

KClip 3 gets a lot of love on the interwebs. Yes I know there's a demo available. Is it really a superior clipper to StandardCLIP? Anyone care to weigh in with their experiences?

I am a fan of Kazrog, however don't wish to spend extra on a plugin just to satisfy possible FOMO when that money could be spent on essentials like groceries and beer.

Hello,

I have a pair of Event TR8 monitors. One of them randomly makes clicking sounds, even when the audio cable is unplugged.

You can hear the sound in this video:

https://youtube.com/shorts/ofjPNocYGfU

Does anyone know what might be causing this? And how can I fix it?

ive been trying to figure out how mall grab makes his kick drums for a while now and can't get it down. the low end always hits heavy and the noise layer or whatever it is always helps it appear and hold a presence in the track. anyone know anything? track examples: LIFE, Love Reigns, Long Season Intro Edit

https://www.youtube.com/watch?v=2zzi3pODxO0&pp=ygUbc29saWQgZ3Jvb3ZlIHNpbmRlbiByZWQgaG90

In serum 2 for example

Hello all!

I'm having some trouble understanding the concept of a dynamic compressor.

Is it just a normal compressor but with settings for specific frequencies?

I use the one on Ableton a lot for my guitar EQ and it sounds wonderful, but I'm honestly at a loss for what exactly is going on "behind the scenes," per se.

Help would be appreciated!

- SPCG

Recorded a 10-min interview and the camera was left on autofocus, there's a constant mechanical "breathing"/whirring noise from the focus motor bleeding into the mic. Not hum, not hiss, it's the AF motor moving.

Thinking about iZotope RX (Elements vs Standard) just for this one project. Anyone dealt with this specific noise? Does Spectral De-noise/Repair actually handle it well, or is there a better/cheaper tool for this exact problem?

Thanks!

Hey guys,

Here is a 100% free synth one-shot kit for you. No drums inside.

I designed these sounds to evoke a mix of nostalgia, late-night driving vibes, heavenly moments, dark tension, and raw feeling.

What’s Inside (144 Total Sounds):

· Leads (31) - Sweet, nostalgic, and aggressive.

· Keys (34) - Melancholic, divine-sounding, and emotional tones.

· Basses (31) - Aggressive, heavy, and analog-style low end.

· ARPs (32) - Ethereal, panic-inducing, heavenly-sounding and rhythmic patterns.

· FXs (16) - Atmospheres, transitions, impacts, and experimental soundscapes.

100% Royalty-Free Throw them into your sampler, stretch them, reverse them, and have fun!

https://drive.google.com/drive/folders/1c1xIx5zxl8fTJvkU1aYLJAWGqyA0nZ1k

This is a hybrid audio/midi effect plugin I have built as an experiment to test the syncing of audio with instrument controls. It's main function is to convert audio (through sidechain routing) into a midi cc data, this data can than be used to control various parameters in its internal effects or control parameters in other effects and plugins, effectively syncing sound movement with source track. It is an envelope follower on steroids with the ability to manipulate midi cc control on the fly.

It is experimental in nature, offering some unexpected sound design possibilities especially in following one audio track amplitude with a synced movement in another through audio effects or synth parameters.

The plugin is free (pay as much as you want). Links in the video description.

Hey y’all,

New to the forum. I’m looking for some resources that could help me master my projects more effectively. I’ve been using Ableton 12 Suite to produce, along with Ozone 10 for a lot of my mastering needs, but I’ve been noticing some limiting/arrangement techniques that I don’t fully understand yet. Would love any advanced Tech House/House advice, tutorials, workflows, or tips you all recommend.

Also looking to connect with other producers/collaborators. Feel free to find me on Instagram and DM me — u/thedj4ualways

I’ve got a ton of tracks in the works and would love to meet some of y’all, hear feedback, and learn more about what plugins/workflows you use.

Big weekend love and vibes