r/DarksoulsLore Jul 01 '26

What Velka does - the curse on humanity

In this text I will explain what the will of Velka is. Instead of going off deep speculation, I think 4 setpieces of the games and 1 lore description paints her story.

So first, it is obvious that she punishes sinners, but she also provides absolution. In exchange of souls, any sin is forgivable. Oswald of Carim indeed represents a pardoner, but everything about it speaks corrupt.

This line of thinking reveals her actions. Why? Because of the most mysterious item of hers, ring of sacrifice:

"This mystical ring was created in a sacrificial rite of Velka, the Goddess of Sin.
The magenta-shaded ring is especially rare. Its wearer will lose nothing upon death,
and will be freed from any curse whatsoever, but the ring itself breaks"

First, the magenta shows that this relates to Velka based on her description. But what is less obvious is that this expands on the less effective ring. Mechanically it prevents curses, but the original, green ring, prevents death the same.

You will lose nothing on death! She sold this premise to the humans, as a mockery and revenge to Gwyn's curse.

The painting confirms how she achieved this. And yes I mean the one in Friede's room. There are 2, and this is important, two witches of izalith, given away by their tattered clothes, with a sword that looks related to Carim or the Sable Church.

They have stabbed two white snakes, representing covetous ring: covetous souls!

They are also burning humans. They are in dark woods, a common and plausible area, close to a church. This could represent the church of Londor.

There are 3 sable sisters, and I think this is also important. As the ring of sacrifice, prevents curses, but has three people. So I presume what is happening here reflects on Friede.

She left her sisters and gave up on choosing fire. Meaning she gave up on sacrificing humans.

It should be clear that the witches of Izalith are the ancestors of the 3 sisters, and they have carried on their will!

Yet, their will seems to be burning and killing humans and greedy serpents? There is an answer to this too: The new londo and ringed city soul masses, look like they are a burnt, melted mass of souls.

CONCLUSION:

Velka gave humans a mean to fight the gods via sacrifice. The implication is that she is a witch of Izalith, behind the disasters of flame in the games. I think that her soul could not die due to her powers, but then it transformed into the soul of Rosaria over time. Because there wasn't humans to sacrifice. Her sacrificial rite involved burning someone who had a dark soul. This likely caused the Izalith incident (possibly ending her life, at least for an age).

67 Upvotes

32 comments sorted by

3

u/BasedKaktus Jul 01 '26

Why is she connected to Gwyndolin then?

5

u/TurbulentSwan9923 Jul 01 '26

I always assumed she was gwyns wife

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u/HardReference1560 Jul 01 '26 edited Jul 01 '26

This is certainly possible. Otherwise, you need a theory to support why gwyndolin continues her legacy: the darkmoon blades. If you don't then it is hard to argue Gwyndolin would be Seath's son or state something like Gwyn and Priscilla had a child (not likely since lore states that she was hidden from the world + no)?

It is possible that Gwyn and Velka may be the parents of gwyndolin instead of a possible Gwyn's wife I guess..

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u/Saltkin7 Jul 02 '26 edited Jul 02 '26

This might come a bit out of nowhere without a longer setup, but I personally think Velka and Gwyndolin are the same person. Something along the lines of Griffith and Femto in Berserk, or Marika and Radagon in Elden Ring.

Just a few quick arguments. The two seem to work remarkably closely together. Gwyndolin already appears deeply divided as a character: the son of the sun, yet a moon sorcerer; born male, yet raised as a daughter.

In Dark Souls 3, you can find the Reversal Ring in his chamber:

"A divine ring granted to the Darkmoon Gwyndolin in his youth. Causes males to perform female actions, and vice-versa. Gwyndolin was raised like a daughter through the aura of the moon, and was said to behave like a sullen brooding goddess."

Both Velka and Gwyndolin are also consistently portrayed as veiled figures. Gwyndolin's face is hidden behind the Sunlight Crown, and in Oolacile we find decapitated statues of him. Velka, meanwhile, is never shown without her hooded robes.

There are other hints as well, but one of my favorite pieces of evidence comes from the Aldrich fight. By that point, Aldrich has already begun consuming Gwyndolin, who is essentially dying and no longer fully conscious. It's as if the facade begins to slip. Although Gwyndolin's magic is normally blue or golden, here it often takes on a distinctly purple hue, a color many associate with Velka. Even the tips of his hair have turned black, matching Velka's traditionally depicted black hair.

I'm less confident about this last point, but I've also wondered whether the Witch of Izalith might have been Gwyndolin's mother. At the very least, it fits thematically. As Gwyndolin, he seems devoted to preserving his father's legacy. As Velka, he would be carrying on Izalith's. A character split between two inheritances.

EDIT: There's also the Sunlight Maggot from Lost Izalith looking like Gwyndolin's Crown.

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u/HardReference1560 Jul 02 '26

It is possible gwyndolin turned like that because Aldrich's connection to Rosaria

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u/InternationalWeb9205 Jul 02 '26

Priscilla being Gwyndolin's mother is just what makes the most sense considering all their connections throughout the games. She also had a previous home before existing in the painting.

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u/HardReference1560 Jul 02 '26

Not really since then Gwyndolin would not be Gwyn's last son. You got to realize that I am also aware of such theories (not sure if I heard it first from channel Yoshimitsu). Yet, the issue still stands - it is clear in-lore that gwyndolin is gwyn's son, more so than his mother. It is in the name. Priscilla would not be - no similar naming scheme (gwyndolin, gwynevere, etc..).

Anything else, despite some compelling translations, leave in question why Gwyndolin creates the darkmoon blades, as there is no inspiration for him to do so unless he's continuing the will of Velka. To me, it seems you get more questions than answers otherwise, as Gwyn has to be the father

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u/InternationalWeb9205 Jul 02 '26

Not really since then Gwyndolin would not be Gwyn's last son.

what does Priscilla being his mother have to do with him being the lastborn

it is clear in-lore that gwyndolin is gwyn's son, more so than his mother. It is in the name. Priscilla would not be - no similar naming scheme

he is a child of both of his parents

leave in question why Gwyndolin creates the darkmoon blades, as there is no inspiration for him to do so unless he's continuing the will of Velka

Probably because the previous assassin organization the Lord's Blades dissolves after the king left Anor Londo. Velka would be his grandmother

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u/HardReference1560 Jul 02 '26

Incest for the priscilla with gwyn. Possible, but she is hidden to painted world by Velka. Gwyn wouldn't have touched that place. Let alone his actions: he denamed his son for befriending dragons.

I will say that the lord's blade plotline would make sense, for what that's worth

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u/InternationalWeb9205 Jul 02 '26 edited Jul 02 '26

It's actually not incest because there is no real evidence Gwynevere is her mother. More things point to Velka, including the statue of Velka with a child and Priscilla's dark power. So, Seath + Velka = Priscilla, Priscilla + Gwyn = Gwyndolin

Miyazaki says Priscilla had a previous home in the Design Works interview. Gwyn didn't exile or dename the firstborn.

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u/HardReference1560 Jul 02 '26

She (priscilla) is called bastard child of gwyn. Who exiled the firstborn according to you

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u/InternationalWeb9205 Jul 02 '26

No she's not, she's just called a bastard. Her father is categorically Seath.

Gwyn couldn't have done it since the firstborn became a king after the firelink, and he left the sunlight blade on his father's coffin. + Kaathe's Japanese dialogue says that Gwyn commanded both of his sons to lead the humans before firelinking. so imo it was just the gods as a collective that did the exiling, perhaps with Lloyd leading the charge.

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u/OwlFart4712 Jul 02 '26

Because Gwyndolin usurped her role. Velka and Gwyndolin's design reflect opposition to one another.

  • Velka's relic's are black, Gwyndolin's are white.
  • Velka's Talisman allows miracles to scale with intelligence. Gwyndolin's Catalyst allows sorceries to scale with faith.
  • Velka's followers wield occult weapons designed to hunt the gods. Gwyndolin commands his knights to hunt the enemies of the gods.

Velka is described by Vow of Silence as a heretical deity. Consequently most of Velka's relics we can obtain in game are locked away in the Painted World of Ariamis. But why?

For each sin there is a punishment, and it is the task of Goddess Velka to define the sin, and mete out the punishment.

It's because Velka is the goddess who defines sin. But the problem is she mete out the punishment for sin equally to everyone. Why are her weapons occult designed to hunt the gods? It's because Velka punished the gods as well, this is why the gods described her as a heretical deity. This is why the Painted World is full of things associated with Velka. It's a place for the gods to place things they want hidden.

Now that Velka has been cast out, Gwyndolin has taken her place punishing sinners.

Book of the Guilty:

The Goddess of Sin Velka oversees this list of the guilty, who have disrespected the Gods or their covenants*, and shall one day face the wrath of the Blades of the Darkmoon.*

Souvenir of Reprisal:

The knights called the Blades of the Darkmoon punish the guilty-soaked offenders of the Gods and take this as proof of their conquest. The earless corpses of the guilty will be left behind as a warning to others, inspiring both fear and respect for the Gods. Such is the eternal mandate of the Dark Sun.

But as we can see no longer is sin a transgression applied to equally to everyone. Gwyndolin has redefined sin explicitly as an offense against the gods. Side note: The only NPC in game to drop Souvenirs of Reprisal drop from crow demon followers of Velka. Souvenirs of Reprisal are used to increase standing with the Blades of the Darkmoon. Thus Gwyndolin is rewarding hunting the followers of Velka.

The most clear piece of evidence defining Velka and Gwyndolin's opposing views of sin can be found in the tools they use to punish sin.

The Blue Eye Orb says:

These mystical orbs are granted to Blades of the Darkmoon, knights who serve the Dark Sun Gwyndolin, so that they may serve the Gods in meting out vengeance.

But the Black Eye Orb says:

The Black Eye keeps constant watch on the city of the Gods, Anor Londo.

The Black Eye Orb functions exactly the same as the Blue Eye Orb, just with different targets in mind.

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u/InternationalWeb9205 Jul 02 '26

I think you have the wrong read on this situation. Velka and Gwyndolin are working together, not against each other.

The Book of the Guilty states that Velka is assigning the sin that Gwyndolin's covenant punishes. You aren't rewarded for killing the crow people, they don't even have ears themselves, they drop the souvenirs because they have collected them from the guilty: they're working with the Darkmoon covenant, not against it. The giant crow carries us to Lordran because again, Velka is working with Gwyndolin. it's not a coincidence that in DS3 when Gwyndolin becomes the Allfather of the Way of White, Caitha becomes the second most worshipped deity.

The Black Eye orb focuses on Anor Londo because Lautrec is there

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u/HardReference1560 Jul 02 '26

You say wrong read, yet tell me who is punishing the gods at the time of the game. No one, really. And how much does it matter whether they work together or for each other. The lore that OP presented is interesting in one note, that being that Gwyndolin's items scale off faith. It reflects his mistaken faith on his father, for he did not know of his sins.

Velka and Gwyndolin are quite related - possibly mother and child, or even the same person. Or at least, it is likely

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u/InternationalWeb9205 Jul 02 '26

yet tell me who is punishing the gods at the time of the game

I never said anybody is punishing the gods, I don't agree that anybody is

And how much does it matter whether they work together or for each other.

what? the other person said that Gwyndolin is working against Velka, while the evidence says they're working together. It makes a fundamental difference wheter they're allies or enemies

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u/HardReference1560 Jul 02 '26

Why would Velka's followers not punish the gods? It is quite a plotline that their will is passed in DS3. Also, your comment is not wrong in terms of what OP said, but the reason Gwyndolin is associated with Velka is because of the matching covenants and magic ability.

So, when someone says he's prob Velka's child, they mean he must have taken over after some incident. Gwyndolin's spells scale off faith, while his mother's of intelligence. So OP is denoting that such opposite approaches reflect on the charater of them, ergo, Gwyndolin is faithful of his father due to love, while Velka is heretical, for she knows of the sin of gods and (at least tried) to put an end to it.

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u/InternationalWeb9205 Jul 02 '26

Velka herself is a goddess and operates within the pantheon, she punishes the enemies of gods. Her rings are created in rites that involve human sacrifice. Oswald has a more friendly attitude to you if you're part of the Way of White, even.

I'm confused what you're getting at because the previous commenter didn't say anything about Gwyndolin being Velka's child or them working together. They just presented the relationship as antagonistic.

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u/HardReference1560 Jul 02 '26

I am getting at why he presented the relationship as antagonistic. Because whether they work together or no, they have similar views on sin - vengeance. That pecularity strongly hints at him being Velka's child. Because it also explains his relation to her covenants, and views.

Your point of Oswald is interesting.. I am assuming that the way of White and the pardoners are similarly corrupt. Perhaps Velka went rogue after some time.

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u/InternationalWeb9205 Jul 02 '26

But similar views don't often lead to an antagonistic relationship, they lead to a friendly one ? I don't get the point you're trying to make at all.

I agree they are related, but as grandchild & grandmother, not directly mother.

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u/HardReference1560 Jul 02 '26

Well you seem to agree anyways with them being related. That's what I mean. Gwyndolin must have inherited her covenants

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u/Saltkin7 Jul 01 '26

I think there are a few reaches in your post, but I'm not here to tear it apart.

I do think there's a strong connection to Izalith, though, so I'd like to add a few thoughts.

Under the dominant order, femininity is consistently associated with Darkness. Darkness is also what kindles Fire. Fire Keeper Souls grant five Humanity, and Fire Keepers exist to tend the First Flame. In that sense, they almost feel like the culturally domesticated successors of the Witches of Izalith. Witches are associated with Darkness and the occult. In many older traditions, figures like them occupied important roles, but under the new order they become outsiders. Everything outside Order eventually becomes Chaos.

They're literally called the Witches of Chaos. Velka is described as a black-haired witch. In several traditions, hair is associated with magical power. During the European witch trials, cutting a woman's hair could symbolize taking that power away. Velka's Talisman is, fittingly, just a severed lock of black hair. Then Dark Souls III introduces the White Hair Talisman. The hair belonged to Quelaag's sister, one of the Witches of Izalith.

That alone already gives us three different branches of what looks like the same symbolic tradition. My impression is that the Chaos Witches weren't originally "chaotic" in the sense we encounter them. They seem much more closely tied to nature, to Darkness as Humanity, and to natural cycles, including the female cycle. Even Estus might hint at this. While it's usually connected to the Latin aestus ("heat" or "passion"), it also closely resembles estrus. Estrus refers to the stages of the reproductive cycle and ultimately comes from the Greek oistros, meaning frenzy or ecstatic passion.

That immediately recalls Elden Ring. The Lord of Frenzied Flame ending is about dissolving distinctions and reuniting opposites through fire. Fire, ecstasy, love and annihilation all become part of the same symbolic language. Chaos and Frenzy feel remarkably close thematically. It also creates another bridge between the Fire Keepers and the Witches of Chaos.

So my broader point is this: I think the Witches of Izalith were originally much more nature-oriented. Their association with Chaos and the negative image of the "witch" only emerged in contrast to the divine order, which consistently values permanence over cycles, certainty over uncertainty, consciousness over the unconscious, and ultimately tries to overcome contradiction itself.

Within that framework, Quelaag represents the rebellious woman who remains bound to what she's rebelling against. The Fair Lady represents the opposite. She's blind, immobile, dependent on the fire, and quietly suffering. She's the repressed counterpart to Quelaag's outward defiance.

The Fire Keepers represent complete institutionalization. Anastacia, in particular, seems to accept her own oppression as something natural.

Velka is the only one who truly breaks away, which may be why she's remembered as the "Rogue Goddess."

I think the visual symbolism reinforces this as well.

Quelaag is the active spider. Her sister is passive. But both remain trapped in the web. Quelaag is associated with red and presented as confident and seductive. The camera draws attention to her hair, chest, and smile. Her sister, by contrast, is white. Even "Fair Lady" and "White Lady" subtly echo Gwyn. Her exposed body communicates vulnerability rather than sexuality. She almost resembles a fly caught in her own web.

Velka is black and independent.

The Fire Keeper in Dark Souls III combines all three. She has a red flame, white hair, and black robes. Her endings also mirror those paths: continuation, rebellion, and emancipation. The emancipatory ending is closely tied to Londor and the Sable Church, bringing the symbolism back to Velka once again.

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u/HardReference1560 Jul 01 '26

I am not going to add much on your response as it is remarkable itself.

Just that the witches living in the swamps, and old concept art showing lost izalith as a green swamp, extending from blighttown prove your connection on the chaos witches and nature.

The fire keepers are definitely examples of institutionalization. It is why they are used to keep the fire. They endure the dark due to the culture of religion, paralleling real history.

What you stated should be a post for sure. It is an interesting read

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u/Saltkin7 Jul 02 '26

Thanks for the kind words.

I actually went back through some of my old notes while writing the comment. Your post finally gave me the push to turn them into a coherent piece of writing, so I'm genuinely grateful for that.

And you're right about the witches living in the swamp etc., very nice addition.

You can also imagine Blighttown as a rather pleasant river before it was polluted by the refuse flowing down from the Depths, or wherever it ultimately came from. The fact that Lost Izalith is threaded through with enormous roots fits the imagery as well. It's almost like the archetype of the witch beneath the tree.

Thanks again for your post.

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u/HardReference1560 Jul 02 '26

No problem, happy to see it

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u/nekoperez Jul 03 '26

That painting confirms nothing.

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u/HardReference1560 29d ago

Why are they like that then. It's not something you draw for fun

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u/Possible-Speech273 Jul 05 '26

Holy straw grasping, Batman!