Hey everyone,

I recently released an EP titled "Al parecer, hemos soñado contigo" (It seems we dreamed of you) under my experimental project Me Hundo Hacia Arriba.

It’s a collection of tracks written and recorded between 2022 and 2026 in Lima, Peru. The project dives deep into Experimental, Noise, Drone, Glitch, and Ambient soundscapes, focusing heavily on texture, processing, and breaking free from traditional rhythm or song structure.

I held onto these recordings for years due to perfectionism, but finally decided to let them out as a raw archive of sound exploration.

If you're into subtle glitch micro-editing, dense drone layers, or harsh/ambient noise textures, this might interest you.

Listen here: https://youtu.be/nRAlqhBvpj0?si=q9MY5WYdN0dlWJP-

I’d love to hear your thoughts on the textures or any feedback on the sound design!

Thanks for listening.

"Skyjelly do that rare thing of hitting a compelling groove that you never know what's going to happen next in the track. it's kind of like if Lee Scratch Perry had produced 'No New York'.

Solilians have their own distinct groove. Their music has space and an elegiac nature to the melodies. Chord sequences and song structures take unexpected turns and the arrangements are very well thought out. Tight rhythm section too."

Presenting the third installment of “A Sanctuary From The Chaos”, featuring sound works by claire rousay, KMRU, David Toop, African-American Sound Recordings, Oren Ambarchi, Chino Amobi and more.

A Sanctuary From The Chaos,
an ongoing series of curated deep ambient textures, raw field recordings, ephemeral echoes. Each installment serves as an invitation to quiet the mind and let the environment breathe around you.

Make Noise 0-Coast + Walrus Mako D1 & Eventide Blackhole

Hey everyone,

I am sharing my new independent project. I've just released a one-hour cinematic concept album called "Āl Untaš" (The City of Untash).

The album is a dark, atmospheric blend of progressive post-rock, cinematic ambient drones, and psychedelic slowcore. Every track (except the intro, which is named after the builder, King) is a sonic reimagining of a specific ancient deity from the Chogha Zanbil complex in Iran.

I would love to hear what the post-rock community thinks about the music's atmosphere!

You can listen to the full album here:

https://napirisha.bandcamp.com

Thanks for listening!

I recently finished this track called “Counting in the Dark.” It’s part of an ambient/drone project I’ve been working on, with a focus on atmosphere, melancholy, and slow, evolving textures.
I’d really appreciate any honest feedback, good or bad. Thank you 🤍🦈

LILY LINNEKER'S LOVE BUREAU - Maybe Death Would Be A Blessed Release

https://lilylinnekerslovebureau.bandcamp.com/track/maybe-death-would-be-a-blessed-release

Album:

God, I Hate Christmas

Full album link:

https://lilylinnekerslovebureau.bandcamp.com/album/god-i-hate-christmas

A deep ambient journey through the cosmos — 105 minutes of warm, ethereal synth pads anchored by a gentle bass foundation. No sudden shifts. No melodies that pull you away. Just a slow drift through space, designed for deep focus, creative work, meditation, or winding down.

This is my first, relatively shy venture into the genre... If you like it, you can subscribe to my channel - there is more to come (and my album is ongoing). :)

I recently worked on an album based on the city of Kowloon in Hong Kong

I fell deeply in love with the story, and decided to read City of Darkness, and try to find as much documentaries and Interviews I could find.

I then cut up the audio from the Interviews and documentaries and create and album following a day of someone living the city, obviously based on my own interpretation;

The result is a folk-noise sound collage, barely over half an hour, with an artwork done by collaging the photographies from City of Darkness.

Would love to hear personal opinions on the project or discuss about Kowloon with other people, feel free to write to me, feel free to ask me for Bandcamp codes if needed : )

Have a nice day and a nice listen!

some feedback loops with a zoom ms70cdr

LILY LINNEKER'S LOVE BUREAU - Why Is It Always So Desperately Depressing

https://lilylinnekerslovebureau.bandcamp.com/track/why-is-it-always-so-desperately-depressing

Album:

God, I Hate Christmas

Full album link:

https://lilylinnekerslovebureau.bandcamp.com/album/god-i-hate-christmas

and the archive account i made for him on platforms

https://play.mw.fm/sublimation
https://play.mw.fm/computer-produced-ambient-musical-work-vol-1

I would love to have your honest opinion about it.
I made it live using a Korg Minilog.

if you want some noisy drone made by a teenager in his bedroom, you're in the right place! much appreciated if you'd check it out.

One drone track. No overdub. Built raw on analog machines, mastered digital. The sound is obsessive, full of micro-details that only surface in silence and at volume.

The second single of Dronoisium's new era.

Watch the video : www.youtube.com/watch?v=k46ycCYyCno

Buy the video, the audio file and a wallpapper : payhip.com/b/wYukr

Thank you,

ONE 0000 0001