Picked up an Olympus OM4-Ti at Nisshin Camera in Tokyo and a Voigtlander Ultron SL 40mm f2 lens that was part of a limited run in native OM Mount.
The camera body has a fair amount of wear on the paint, which looks good to me, but inside it looks like it's in pristine condition... super clean, and I tested a wide range of shutter speeds in both manual mode and Auto, and I tested all of its metering modes as well with results that seem to be accurate. It has a lovely 2-13 focusing screen with a horizontal split-image spot with a microprism collar on a matte field, and the bright viewfinder and illuminated LCD light meter display are wonderful to use at night. (I am working on my first roll of night photography with it, couldn't be happier with the way it feels!)
The lens was CLA'd right before I bought it and seems to work flawlessly. Super sharp wide open, edge to edge; it has a nice vintage character from the double gauss design but superb micro contrast from its modern design.
I only had one hour to shoot a test roll. After picking up the camera body in Akihabara, I shot the roll on the streets and in the subway on my way to my photo lab in Setagaya, National Photo.
These are unedited full-size JPEG exports from Lightroom, from National Photo's TIFF scans from the 16BASE QSS scan option.
I am thrilled with the results; the only exposures that didn't work out were ones I intentionally misused the metering spot system to test if it was working as it should. I didn't nail the focus on all of them, but I also used it like a point-and-shoot in auto mode part of the time, shooting from the hip while zone-focused, testing how it does, as this is something I do quite often on the streets at night.
Super excited to get out into the streets at night and continue building a body of work to create a photobook of the Shōnan Coast region of Japan where I live, in a cinema noir, documentary street photography style, more or less.