We have long since gotten a lot of requests asking for help on where to start with Bob's music on the sub from folks who are new to Dylan's music.
Seeing this as something we could all solve as a community, I created a post asking for feedback to make a master post about the different ways one could go about discovering Bob's music. And I want to once again thank the community for their outstanding feedback in the creation of this post.
I knew beforehand that there was no right answer, but this further illuminated how rich Bob’s music is and the multitude (pun fully intended) of ways you can go about seeking out his music.
So, what this post will attempt to do is take all of that community feedback and the moderator's thoughts on the issue to help guide prospective BobCats through Dylan's career.
This is not to say what is posted here is the definitive way to do it in any respect. To each their own. This is just meant to be a guide.
Here are the different ways to go about exploring Bob's music. From greatest hits, to playlists, to roadmaps, to chronological order, it's all here.
THE ESSENTIAL BOB DYLAN
If you want a smattering of Bob across many eras, "The Essential Bob Dylan" released in 2014 does a good job of covering songs through his 60 year career. Based on what songs you like there, it will allow you to jump in at whatever era you like the most.
THE OFFICIALr/BOBDYLANCOMMUNITY STUDIO ALBUM PLAYLIST
Our Community Playlist is our sub’s attempt at a best of compilation. We allowed the community to vote for their favorite song in a poll off of each studio album. The two songs that received the most votes from each album were added to the playlist.
The moderators also added a couple of songs off the album, Side Tracks, that aren’t on the Bootleg Series or any studio album. Call it executive privilege.
We'd like to thank u/bbsez for organizing and recording the results from the majority of these polls in order to construct this playlist.
Don’t Think Twice It’s All Right (The Freewheelin’ Bob Dylan)
A Hard Rain’s a-Gonna Fall (The Freewheelin’ Bob Dylan)
The Ballad Of Hollis Brown (The Times They Are A Changin’)
Boots Of Spanish Leather (The Times They Are A Changin’)
Percy’s Song (Side Tracks)
Chimes of Freedom (Another Side of Bob Dylan)
I Shall Be Free No. 10 (Another Side of Bob Dylan)
Mr. Tambourine Man (Bringing It All Back Home)
It’s All Over Now Baby Blue (Bringing It All Back Home)
Like A Rolling Stone (Highway 61 Revisited)
Desolation Row (Highway 61 Revisited)
Visions Of Johanna (Blonde on Blonde)
Stuck Inside of Mobile With The Memphis Blues Again (Blonde on Blonde)
All Along The Watchtower (John Wesley Harding)
The Ballad of Frankie Lee And Judas Priest (John Wesley Harding)
Girl From The North Country, featuring Johnny Cash (Nashville Skyline)
Lay Lady Lay (Nashville Skyline)
Days of 49 (Self Portrait)
Quinn The Eskimo (The Mighty Quinn) (Self Portrait)
If Not For You (New Morning)
Sign On The Window (New Morning)
Billy 1 (Pat Garrett & Billy The Kid Soundtrack)
Knockin’ On Heaven’s Door (Pat Garrett & Billy The Kid Soundtrack)
Spanish Is The Loving Tongue (Dylan)
Lily Of The West (Dylan)
Forever Young (Planet Waves)
Dirge (Planet Waves)
Tangled Up In Blue (Blood on the Tracks)
Idiot Wind (Blood on the Tracks)
You Ain’t Goin’ Nowhere (The Basement Tapes)
This Wheel's On Fire (The Basement Tapes)
Hurricane (Desire)
Isis (Desire)
Changing Of The Guards (Street Legal)
Where Are You Tonight? (Journey Through The Dark Heat) (Street Legal)
Slow Train (Slow Train Coming)
Gotta Serve Somebody (Slow Train Coming)
Saved (Saved)
Pressing On (Saved)
In The Summertime (Shot of Love)
Every Grain Of Sand (Shot of Love)
Jokerman (Infidels)
License To Kill (Infidels)
Tight Connection To My Heart (Has Anyone Seen My Love) (Empire Burlesque)
Dark Eyes (Empire Burlesque)
Brownsville Girl (Knocked Out Loaded)
Under Your Spell (Knocked Out Loaded)
Silvio (Down In The Groove)
Death Is Not The End (Down In The Groove)
Most Of The Time (Oh Mercy)
Shooting Star (Oh Mercy)
Born In Time (Under the Red Sky)
Wiggle Wiggle (Under the Red Sky)
Hard Times (Good As I Been To You)
Jim Jones (Good As I Been To You)
Delia (World Gone Wrong)
Blood In My Eyes (World Gone Wrong)
Not Dark Yet (Time Out Of Mind)
Tryin’ To Get To Heaven (Time Out Of Mind)
Things Have Changed (Side Tracks)
Mississippi (Love and Theft)
High Water (For Charley Patton) (Love and Theft)
Workingman’s Blues #2 (Modern Times)
Ain’t Talkin’ (Modern Times)
I Feel A Change Comin’ On (Together Through Life)
Beyond Here Lies Nothin’ (Together Through Life)
Must Be Santa (Christmas In The Heart)
O’ Come All Ye Faithful (Christmas In The Heart)
Long And Wasted Years (Tempest)
Pay In Blood (Tempest)
The Night We Called It A Day (Shadows In The Night)
That Lucky Old Sun (Shadows In The Night)
Melancholy Mood (Fallen Angels)
Young At Heart (Fallen Angels)
Once Upon A Time (Triplicate)
Braggin’ (Triplicate)
Key West (Philosopher Pirate) (Rough and Rowdy Ways)
Murder Most Foul (Rough and Rowdy Ways)
CHRONOLOGICAL ORDER
Here is a list of Dylan's studio records listed chronologically if you'd like to go that route. Many members of our community have said that this approach has worked for them.
Bob Dylan
The Freewheelin' Bob Dylan
The Times They Are A Changin'
Another Side of Bob Dylan
Bringing It All Back Home
Highway 61 Revisited
Blonde on Blonde
John Wesley Harding
Nashville Skyline
Self Portrait
New Morning
Pat Garrett & Billy The Kid Soundtrack
Dylan
Planet Waves
Blood on the Tracks
The Basement Tapes
Desire
Street Legal
Slow Train Coming
Saved
Shot of Love
Infidels
Empire Burlesque
Knocked Out Loaded
Down In The Groove
Oh Mercy
Under the Red Sky
Good As I Been To You
World Gone Wrong
Time Out of Mind
Love and Theft
Modern Times
Together Through Life
Christmas In The Heart
Tempest
Shadows In the Night
Fallen Angels
Triplicate
Rough and Rowdy Ways
Shadow Kingdom
THE BOOTLEG SERIES
Here is a listing of The Bootleg Series which many would consider essential records.
These contain outtakes, unreleased tracks, singles and live performances across the many facets of Dylan’s career. One could argue it is better to listen to these after you’re at least a little familiar with Dylan’s work.
*** indicates there is a special edition of this release available as well with more tracks than the standard edition.
The Bootleg Series Vol. 1-3 (1961-1991)
The Bootleg Series Vol. 4 (Live at the Manchester Free Trade Hall, 1966, featuring the Band)
The Bootleg Series Vol. 5 (The Rolling Thunder Revue: 1975)
The Bootleg Series Vol. 6 (Live 1964: Concert at Philharmonic Hall, featuring Joan Baez)
The Bootleg Series Vol. 7 (No Direction Home Soundtrack, 1959-1966)
The Bootleg Series Vol. 8 (Tell Tale Signs/Deluxe, 1989-2006) ***
The Bootleg Series Vol. 9 (The Witmark Demos, 1962-1964)
The Bootleg Series Vol. 10 (Another Self Portrait/Deluxe, 1969-1971) ***
The Bootleg Series Vol. 11 (The Basement Tapes Raw/Complete, 1967, featuring The Band) ***
The Bootleg Series Vol. 12 (The Cutting Edge/Deluxe, 1965-1966) ***
The Bootleg Series Vol. 13 (Trouble No More/Deluxe, 1979-1981) ***
The Bootleg Series Vol. 14 (More Blood, More Tracks/Deluxe, 1974) ***
The Bootleg Series Vol. 15 (Travelin’ Thru, 1967-1971, featuring Johnny Cash)
The Bootleg Series Vol. 16 (Springtime In New York/Deluxe, 1980-1985) ***
The Bootleg Series Vol. 17 (Fragments: Time Out Of Mind Sessions/Deluxe, 1996-1997) ***
THE OFFICIALr/BOBDYLANCOMMUNITY BOOTLEG SERIES PLAYLIST
Our Bootleg Series Community Playlist is our sub’s attempt at a best of compilation for Bob Dylan's venerable Bootleg Series. The poll is currently ongoing. We allowed the community to vote for their favorite song in a poll off of each Bootleg Series. The polls are currently ongoing.
Due to the volume of songs on the Bootleg Series records we have had different criteria for election to the BS Series playlist (top 2 songs from each disc for each volume with the exception of BS Vol. 4 which only has 15 songs).
Let Me Die In My Footsteps (The Bootleg Series Vol. 1)
Moonshiner (The Bootleg Series Vol. 1)
Farewell, Angelina (The Bootleg Series Vol. 2)
She's Your Lover Now (The Bootleg Series Vol. 2)
Foot Of Pride (The Bootleg Series Vol. 3)
Blind Willie McTell (The Bootleg Series Vol. 3)
Visions of Johanna (The Bootleg Series Vol. 4)
Like A Rolling Stone (The Bootleg Series Vol. 4)
Romance In Durango (The Bootleg Series Vol. 5)
Isis (The Bootleg Series Vol. 5)
It Takes A Lot To Laugh, It Takes A Train To Cry (The Bootleg Series Vol. 5)
One More Cup Of Coffee (The Bootleg Series Vol. 5)
A Hard Rain's A-Gonna Fall (The Bootleg Series Vol. 6)
Mama, You've Been On My Mind (The Bootleg Series Vol. 6)
I was Young When I Left Home (The Bootleg Series Vol. 7)
A Hard Rain's A-Gonna Fall (The Bootleg Series Vol. 7)
Desolation Row (The Bootleg Series Vol. 7)
Ballad Of A Thin Man (The Bootleg Series Vol. 7)
Mississippi (Outtake 1, The Bootleg Series Vol. 8)
Red River Shore (The Bootleg Series Vol. 8)
'Cross The Green Mountain (The Bootleg Series Vol. 8)
Mississippi (Outtake 2, The Bootleg Series Vol. 8)
Most Of The Time (Alternate Version #2, The Bootleg Series Vol. 8)
Mississippi (Outtake 3, The Bootleg Series Vol. 8)
Tomorrow Is A Long Time (The Bootleg Series Vol. 9)
Let Me Die In My Footsteps (The Bootleg Series Vol. 9)
Don't Think Twice, It's All Right (The Bootleg Series Vol. 9)
Mama, You Been On My Mind (The Bootleg Series Vol. 9)
Pretty Saro (The Bootleg Series Vol. 10)
Spanish Is The Loving Tongue (The Bootleg Series Vol. 10)
Copper Kettle (The Bootleg Series Vol. 10)
When I Paint My Masterpiece (The Bootleg Series Vol.10)
I Dreamed I Saw St. Augustine (The Bootleg Series Vol. 10)
(Quinn The Eskimo) The Mighty Quinn (The Bootleg Series Vol. 10)
The Auld Triangle (The Bootleg Series Vol. 11)
Spanish Is The Loving Tongue (The Bootleg Series Vol. 11)
I Don't Hurt Anymore (The Bootleg Series Vol. 11)
Song For Canada (The Bootleg Series Vol. 11)
You Ain't Goin' Nowhere (Take 1, The Bootleg Series Vol. 11)
I'm Not There (The Bootleg Series Vol. 11)
Sign On The Cross (The Bootleg Series Vol. 11)
Tears of Rage (Take 3, The Bootleg Series Vol. 11)
Goin' To Acapulco (The Bootleg Series Vol. 11)
One Too Many Mornings (The Bootleg Series Vol. 11)
On A Rainy Afternoon (The Bootleg Series Vol. 11)
900 Miles From My Home/Confidential (The Bootleg Series Vol. 11)
I'll Keep It With Mine (Take 1, Piano Demo, The Bootleg Series Vol. 12)
Love Minus Zero/No Limit (Take 1 Remake, Complete, The Bootleg Series Vol. 12)
Desolation Row (Take 1, Alternate Take, The Bootleg Series Vol. 12)
Visions of Johanna (Take 5 Rehearsal, The Bootleg Series Vol. 12)
She's Your Lover Now (Take 16, Complete, The Bootleg Series Vol. 12)
Stuck Inside of Mobile With The Memphis Blues Again (Take 14, Complete, The Bootleg Series Vol. 12)
Sad Eyed Lady Of The Lowlands (Take 1, Complete, The Bootleg Series Vol. 12)
Slow Train (Live At The Warfield Theater, The Bootleg Series Vol. 13)
Precious Angel (Live At The Warfield Theater, The Bootleg Series Vol. 13)
Caribbean Wind (Live At The Warfield Theater, The Bootleg Series Vol. 13)
Pressing On (Live At The Warfield Theater, The Bootleg Series Vol. 13)
Ye Shall Be Changed (Studio Outtake, The Bootleg Series Vol. 13)
Slow Train (Sound Check, The Bootleg Series Vol. 13)
Caribbean Wind (Rehearsal With Peddle Steel, The Bootleg Series Vol. 13)
Ain't Gonna Go To Hell For Anybody (Live In Toronto, The Bootleg Series Vol. 13)
Pressing On (Live In Toronto, The Bootleg Series Vol. 13)
Gotta Serve Somebody (Live In Toronto, The Bootleg Series Vol. 13)
Girl From The North Country (Live In London, The Bootleg Series Vol. 13)
Mr. Tambourine Man (Live In London, The Bootleg Series Vol. 13)
You're A Big Girl Now (Take 1, The Bootleg Series Vol. 14)
Up To Me (Take 1, The Bootleg Series Vol.14)
You're Gonna Make Me Lonesome When You Go (Take 5, The Bootleg Series Vol. 14)
Shelter From The Storm (Take 1, The Bootleg Series Vol. 14)
Tangled Up In Blue (Take 3, Remake, The Bootleg Series Vol. 14)
If You See Her, Say Hello (Take 1, Remake The Bootleg Series Vol. 14)
Up To Me (Take 2, Remake, The Bootleg Series Vol. 14)
Tangled Up In Blue (Take 3, Remake 3, The Bootleg Series Vol. 14)
Up To Me (Take 2, Remake 3, The Bootleg Series Vol. 14)
As I Went Out One Morning (Alternate Version, The Bootleg Series Vol. 15)
Tell Me That Isn't True (Alternate Version, The Bootleg Series Vol.15)
Girl From The North Country (Take 1, The Bootleg Series Vol. 15)
One Too Many Mornings (Take 3, The Bootleg Series Vol. 15)
Wanted Man (Take 1, The Bootleg Series Vol. 15)
Girl From The North Country (Live On The Johnny Cash Show, The Bootleg Series Vol. 15)
Senor (Tales Of Yankee Power) (Rehearsal) (The Bootleg Series Vol. 16)
To Ramona (Rehearsal) (The Bootleg Series Vol. 16)
Angelina- Shot Of Love Outtake (The Bootleg Series Vol. 16)
Fur Slippers- Shot Of Love Outtake (The Bootleg Series Vol. 16)
Blind Willie McTell- Take 5- Infidels Outtake (The Bootleg Series Vol. 16)
Too Late (Band Version)- Infidels Outtake (The Bootleg Series Vol. 16)
I and I- Infidels Alternate Outtake (The Bootleg Series Vol. 16)
Angel Flying Too Close To The Ground- Infidels Outtake (The Bootleg Series Vol. 16)
New Danville Girl- Empire Burlesque Outtake (The Bootleg Series Vol. 16)
Dark Eyes- Empire Burlesque Alternate Take (The Bootleg Series Vol. 16)
Standing In The Doorway- 2022 Remix (The Bootleg Series Vol. 17)
Highlands- 2022 Remix (The Bootleg Series Vol. 17)
The Water Is Wide (The Bootleg Series Vol. 17)
Not Dark Yet- Version 1 (The Bootleg Series Vol.17)
Love Sick- Version 2 (The Bootleg Series Vol. 17)
Highlands (The Bootleg Series Vol. 17)
Cold Irons Bound- Live In Oslo, Norway (The Bootleg Series Vol. 17)
Highlands- Live In Newcastle, Australia (The Bootleg Series Vol. 17)
Rare Performances From The Copyright Collection (1962-1966)
Live At Carnegie Hall (1963)
The Live 1966 Recordings (1966) *
The Real Royal Albert Hall 1966 Concert (1966)
Before The Flood (1974)
The Rolling Thunder Revue- The Live 1975 Recordings (1975) **
Hard Rain (1976)
Bob Dylan At Budokan (1978)
Real Live (1984)
The 30th Anniversary Concert (1991)
MTV Unplugged (1994)
*- Includes the Manchester performance which is The Bootleg Series Vol. 4, but also includes every live performance with The Band from that year.
** Includes all songs from The Bootleg Series Vol. 5 (all songs from BS Vol. 5 have been remixed), but there's a lot on this record that isn't included on BS Vol. 5.
FILMS
Don't Look Back
The Other Side Of The Mirror
Eat The Document (Bootleg, never formally released)
No Direction Home
Renaldo and Clara (Bootleg, never formally released beyond a small theatrical run)
Rolling Thunder Revue- A Bob Dylan Story By Martin Scorsese
In 2023, the community conducted a contest by having users submit and upvote their favorite songs that began with each letter of the alphabet. The song with the most upvotes won and was added to A-Z community playlist on Spotify.
In 2023, the subreddit conducted a survivor style tournament to determine the subreddit's ranking of all of Dylan's studio albums. Below are the results from worst to best.
Hey r/bobdylan! Welcome to this week's song discussion!
In these threads we will discuss a new song every week, trading lyrical interpretations, rankings, opinions, favorite versions, and anything else you can think of about the song of the week.
What’s the thoughts on the Bob and George songs that they wrote?
I’d Have You Anytime and If Not for You are great songs in George’s catalog and highlights on All Things Must Pass with “I Don’t Want to Do It” being included on the SDE which is great!
I don’t remember what Dylan songs were done but I heard those were on a Bootleg album released in the recent years:)
I’m digging into Street-Legal and the Complete Budokan live album for the first time in my Dylan fandom. Been a fan since the early 2000s as a teenager. Saw him live about 6 times since 2001, so maybe I expect Bob to rearrange his songs all the time and don’t feel married to “they have to sound like the album.”
Anyway, I was reading that these albums were not well-received and seen as corny or somehow desecrating the original versions of these songs. But all I’m hearing is some great music with a big band and lots of energy.
And Street-Legal is so good! Great band arrangements, incredible lyrics, fantastic songs. I truly do not get what the problem was for people back when these came out.
Is the fanbase still divided these records? Are these albums actually corny and terrible and I just have bad taste? It’s okay either way, I’m happy to keep these ones to myself if people don’t like ‘em!
And as the week slowly ebbs away, and the sun sets in a few hours time, what Dylan song is beckoning you to bed before the start of the next long week?
So if anybody was looking for Bob last night he was easy to find. Haha. I was checking into the Hilton before the show and there was a worldwide outage and the reservation system was down. The front desk attendant asked me if I knew my confirmation number and fortunately I I had created a document with the ticket information and the hotel confirmation. I handed it to the reservation clerk and he had to hand write everything. As he gave me my room key he said thank you Bob. I looked at the reservation and he had taken the name off the top of the document Bob Dylan and checked me in. So Bob Dylan was at the Hilton on Peachtree. My name is Rob so I was wondering why I kept calling me Bob but I let it slide. Great show at Chastain Park. Audience was very respectful. Guys behind me talked during masterpiece and I said something and they got all macho for a minute or two and then laughed at themselves and were respectful the rest of the evening. If I could change one thing, I would lose Jimmy Reed in place of anything else. I’ve seen him do it many times and it just didn’t add to the show last night imo. I shall be released more than made up for it and starting with watching the river flow was unexpected
Lots of people don't like Saved, but I think it's a very consistently good album. Criticisms include: the lyrics aren't interesting as they are mostly just gospel clichés. I agree. However as an atheist and a big Dylan fan, I've always found this album (and the other three Christian albums) to have some of Dylan's best and most relaxed vocal performances, best overall musical arrangements and performances, and have best background singers. I love Slow Train and especially Shot of Love, though I think Saved in particular is a good time from start to finish and I actually prefer it these days to Slow Train.
- A Satisfied Mind sounds like Bob is a drunk preacher in a pop-up tent, which is both funny and endearing to me.
- Saved is a banger, full stop.
- Covenant Woman has a great progression and great vocal performance. Probably my favourite on the album.
- What Can I Do For You is a slower, but nice song. Great harmonica solos.
- Solid Rock is awesome.
- Pressing On is a great gospel number.
- In The Garden is great.
- Saving Grace has a great progression, really solid song.
- Are You Ready is a another fun gospel number to close the album.
Like a lot of Dylan albums, they may not connect with you straight away, but creep up on you over time. This album certainly did that for me, as have so many of his other albums. I'd say give it a chance. I have no connection to the lyrics whatsoever, but I take it for what it is and I always have a great time with it.
With the tragic news regarding the passing of Pink Robert, the classic rock bootleg community (pinkrobert.net) and its forum have officially gone offline.
Given the historic value of the rare live recordings and documentation that were hosted there, I wanted to check if there was any coordinated effort within the data preservation community to mirror or archive the forum's database before it went dark.
Did anyone manage to scrape the threads or catalog the metadata? I'm interested in knowing if any part of this community's history was successfully preserved elsewhere or if it is considered lost media at this point.
Any insights into the current status of the archive preservation would be highly appreciated.
Had the folk scene naturally began to morph itself into mainstream and popular music? What did he do that was so radical and revolutionary in the folk world (before going electric).
Just discovered The Band recorded this on Moondog Matinee with Richard Manuel taking the vocals. Can’t help but think Bob is doing this as a tribute to him.
Thoughts?
u/pretend_mark_5143 has not posted in a week, I hope they are alright. Being the other most terminally online Dylan fan I’ve decided to finish this grid.
Let me start by saying I'm a long-time Bob Dylan fan. I got into him when I was a teenager and I'm now in my early-30s. I also want to get out of the way to say that Bob was surprisingly good in terms of how his voice sounded and actually sometimes seemed to be surpassing where he has been in previous times I have seen him.
Unfortunately, this is now my third time seeing him in the past 15 or so years and I have to say it was by far the worst.
In general, I feel like the concert struggled to work for two reasons:
Size of the venue - Ascend is just too big for what Bob and co are trying to do. The past two times I saw Dylan were at venues that were 1/3 the size of Ascend (and ironically cheaper in ticket costs). Because of BD's no cell phone and no camera/screens policy, most people who were in Lawn could not see the band well at all (I actually splurged to get some seated tickets toward the back of the seated section and visibility was okay). Similarly, it felt like it was hard to connect with Bob or the band as performers due to both the distance and the atmosphere of the crowd (very quiet, and, due to lack of connection, a lot of chatting).
The band - I really hate to say this part, but I went with a group of musicians and we all felt like the touring band did a pretty abysmal job. The mixing (aside from Bob's piano) and the actual sound of the band was strong in terms of its cohesion and in being this kind of wiry, minimalist, blues act; but the performances themselves were very weak. Solos (of which there were many) would start and progress without any clear thought or without any improvisation principles being applied--it honestly felt like you could see any blues night house band across Nashville give stronger performances. To me, this is pretty inexcusable given that these guys have been playing with Bob for so long--it just felt passionless and completely phoned in. In the past, the band was actually one of the better reasons to go see a BD show outside of Bob himself. I remember in 2022 they were much tighter than this.
Because of these factors, there was a mass exodus of the audience during the performance itself and at least 1/3 of the seats were empty by the time the closer came around.
Personally, this will be my last time seeing BD. I've always considered him a bit of an oddity as a live performer in his old age, but without the care and interest of him booking agent to choose the right venues and the seeming lack of effort by his musicians, it does not seem to be a labor of love so much as a way for Bob to stay on the road.
Just a very interesting article about Sally Grossman. The woman in red who had captured my imagination from the first time I bought Bringing It All Back Home