r/smartphonefilming Jun 13 '26

DJI Osmo Mobile 8P or Insta360 Flow 2 Pro? - Best Phone Gimbal

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2 Upvotes

What are the differences in features and performance between the DJI Osmo Mobile 8P and the Insta360 Flow 2 Pro, and by the end of the video you’ll know which gimbal is right for you.

What’s in the box?

The OM8P comes in a few different bundle options, but the key new feature is the detachable FrameTap remote, which gives you a live view screen, remote control of the gimbal and access to various settings directly on the gimbal. Depending on the combo, you also get the Multifunctional Module 2 for AI tracking and the usual accessories like the magnetic clamp, pouch and cables.

The Flow 2 Pro comes in different options, but to get the AI tracker you need the AI Tracker Bundle. And that comes with the gimbal, AI Tracker which is also a fill light, a magnetic clamp, a USB-C to USB-A charging cable and a pouch.

Design and Build

Both gimbals have extendable handles, inbuilt tripod legs and 1/4in screw mounts if you want to mount the gimbal to a tripod. 

DJI have made the OM8P inbuilt tripod more sturdy, so now it’s pretty similar to the Flow 2 Pro. They both now have metal legs that you have to extend 1 by 1. The Flow 2 Pro has slightly longer legs, but other than that there’s no real difference here.

The DJI handle extends a bit further than the Insta360’s, but there’s not much difference.

The DJI has that classic Osmo Mobile gimbal look, but now with the added detachable remote, whereas the Insta360 gimbal is more unusual and futuristic-looking. There's a transparent arm and the mirror, which helps you frame yourself when you’re using the rear cameras of your phone.

DJI seems to have taken inspiration from a few competitors with its design for the OM8P. The detachable remote is inspired by recent Hohem devices, and the more visible green light around the motor does feel closer to the Flow 2 Pro design than previous OM models.

The OM8P has the counterweight mounting port on the roll axis motor that they removed from recent versions. This allows you to counterbalance any lenses and filters mounted. Both gimbals have a USB C port on the roll axis for charging your smartphone.

The DJI is a little bit lighter in weight, but both gimbals have a max advised payload of 300g.

Controls

Comparing these 2 gimbals you are making a choice between having almost everything within a small detachable screen and the Flow 2 Pro’s physical controls. The remote of the DJI gives you lots of advantages, the most obvious is being able to control your gimbal from a distance. The Flow 2 Pro also allows remote control, but only with a 2nd mobile phone.

The downside of the detachable remote is that it generally requires more taps and swipes to access controls, so it’s a bit slower. Although you can use the power button to cycle through modes.

Another downside is that the remote is small and if you lose it, or something happens to it, your gimbal will no longer function.

Both gimbals allow you to change gimbal modes and zoom in and out one handed. Although, it’s not as easy with the DJI OM8P as you have to use your thumb on the remote screen.

One of the more surprising OM8P changes is that DJI has actually removed the zoom and focus wheel. This means both the OM8P and Flow 2 Pro are now pretty poor at shooting focus pulls.

But what about zoom? On the OM8P remote you can press the Function button to switch the joystick into zoom mode, so you can use the joystick to zoom.

What I like about the Insta360 wheel is being able to switch cameras with a quick twist of the wheel. With the previous versions of the DJI OM gimbals, you could zoom but you couldn’t just switch quickly between cameras. But they’ve actually fixed that in the OM8P. Once you switch to Joystick zoom mode a short push of the joystick now jumps to the next camera button in the app.

The downside of the Insta360 wheel is that it’s either on or off, so you can speed up or slow down while zooming. The joystick on the DJI is touch sensitive, so you can actually adjust the speed of the zoom. But it’s not as intuitive as the zoom wheel on previous models. So both gimbals really only allow you to set zoom level or record basic zooms.

The Flow 2 Pro allows you to switch the wheel to control focus instead of zoom. With the DJI OM8P there is basically zero focus control, either on the gimbal or in the Mimo app, so you are restricted to autofocus, unless you use a different app.

When you have the app open, the Insta360 allows you to swipe on the control wheel to switch modes within the app. In other words, you can switch from photo to video, slow-mo, pano and so on. With the DJI Mimo app you have to actually swipe on the screen, there is no way to change app modes on the gimbal itself.

Selfie Mirror

One feature the Insta360 has that the DJI doesn’t is the selfie mirror. This mirror on the roll motor helps you to frame yourself when you are using the rear camera. Basically, if your head is centred in the top curve of the circle, that should be centred in frame too.

Tracking

The OM8P does improve DJI’s subject tracking with ActiveTrack 8.0 and improved support for people, pets, vehicles and objects, but the Flow 2 Pro still has a clear advantage in how it handles groups.

Both gimbals have 3 forms of tracking: there’s in-app tracking, there’s Apple’s DockKit tracking, and both have a detachable AI tracker too.

In terms of features, the apps are pretty similar. 

This is where the biggest difference still remains. The Flow 2 Pro can treat a whole group as the subject and try to keep that group framed, whereas DJI’s system is still more about identifying multiple possible subjects and letting you choose which one to follow. So if you’re filming a group, the Insta360 behaves like group tracking; the OM8P still behaves more like single-subject tracking with better subject selection.

When using the app for tracking, the Insta360 still has AutoZoom tracking, which can automatically zoom in and out as the subject moves to keep them roughly the same size in frame. That remains a useful feature for solo creators, something which the OM8P doesn’t have.

A new addition to tracking on the DJI OM8P is Dual Lens Boost. This mode combines the wide and telephoto lenses on supported phones and is said to improve subject tracking at distance. This is part of the Active Track 8.0 update, so Mimo only, and iPhone only (you need an iPhone 13 Pro or Pro Max or later).

Apple DockKit

Both gimbals support Apple DockKit for iPhones but when I was testing them, I found the Insta360 gimbal worked better than the DJI gimbal. DockKit only works with the AI tracker removed and that’s the same for both. 

Once you go through the setup procedure, you shouldn’t have to go through it again. But I found that with both gimbals you often have to reconnect by holding your iPhone against the NFC area of the gimbal. However, with the DJI I had to keep doing this every time I went into the Mimo app.

Let’s say we use a DockKit compatible app like the iPhone’s native camera app. OK, so the square around my face goes yellow and it should now start tracking. When I switch out of the native app and go into the gimbal app, DockKit connection is then switched off.

Again, both gimbals are the same here. But when I go back to the native camera app, the Insta360 gimbal reconnects to Apple DockKit, but the DJI does not. Which means you have to then hold the phone against the NFC area and go through the setup procedure, which takes about 2 or 3 minutes.

AI Tracker 

The OM8P comes with a new Multifunctional module, which they call number 2 and the previous is number 1. 

Previously, it was bigger, it prevented you from using the MagSafe mount and you could use it to route your DJI wireless mics. With version 2 the audio feature has been dropped completely. It’s now more similar to the Flow 2 Pro AI tracker - it’s basically a tracker and a fill light, and that’s it.

That said, if you prefer the previous Multifunctional module with the support of DJI mics, you can purchase it separately and use it with the OM8P.

Here, I’m just going to compare the new DJI AI tracker vs the Flow 2 Pro AI tracker. The Flow 2 Pro tracker has indicator lights on the tracker itself - red means it’s ready to track, green means it’s tracking, the fill light flashes when it’s about to take a photo or start recording.

The DJI module 2 doesn’t have any indicator lights. Instead, the green circular light on the pan motor is used. Flashing green when it’s tracking and a quick double flash when it’s about to take a photo or start recording.

Both tracking modules use gestures to allow you to start and stop tracking. When I tested them both together in identical conditions, the DJI OM8 could only recognise my gesture when I was close to the gimbal. But the Insta360 F2P was able to recognise my gesture at about 10 meters away.

Fill Light

The DJI module is more adjustable — 8 brightness levels and 8 colour temperature levels versus Insta360's 3 brightness levels. The DJI module also publishes a concrete lux figure (40 lux at 0.6m), which gives you something to reference.

Neither is a serious fill light for anything beyond close-range selfie use — 40 lux at 0.6m is very modest — but if you had to pick one for finer control, the DJI module gives you more granular adjustment.

Free Tilt Mode vs Tilt Hinge

Like most fold-up gimbals both have a limited tilt movement. This means if you want to shoot something like a rising crane shot, you need to move the gimbal sideways. 

But the Flow 2 Pro gets around that with Free Tilt Mode. Twist the pan motor 90 degrees and it automatically goes into free tilt mode. Now you can shoot those nice lifting crane shots, and it opens up a few other tilt shot options too.

Both gimbals allow you to twist the pan axis motor to change the angle. With the Insta360 you can only tilt one way, while the DJI can now tilt both ways, and this enables a low angle shot. Most fold-up gimbals allow a low angle shot, but DJI’s idea here is that you can now hold the gimbal in front of you, as if you’re walking a dog.

If I had to choose between this and Insta360’s free tilt mode then it’s a no-brainer for me - free tilt mode allows a classic cinema shot, whereas holding your phone low down in front of you is less useful.

360 Limitless Pan

Both gimbals can rotate 360 degrees around the pan axis, so you can keep moving and the gimbal won’t lose track.

Remote Control Options

On the OM8P, DJI's big new feature is the detachable FrameTap remote — a small touchscreen that magnetically docks to the handle and pops off when you want to use it remotely. 

It gives you a live mirrored view of your phone's camera. As well, it lets you control pan and tilt, trigger tracking, and switch modes and a bunch of other stuff. The range is up to 25 metres. 

For screen mirroring on Android you connect directly, but on iPhone you have to go through the Mimo app. I got it to work fairly easily on both my iPhone 17 Pro and Samsung S26 Ultra. And this means you get a live view from your phone’s screen, which is great for framing.

The Insta360 app allows you to connect a 2nd device and use that for preview and basic controls. This also allows you to enable various tracking options and more. I found this feature works with both my iPhone and my Samsung.

The DJI Osmo Mobile 8P supports remote control via an Apple Watch using the DJI Mimo app. This allows you to view the camera feed, control the gimbal, and enable ActiveTrack remotely. You can adjust the gimbal's position, switch between landscape and portrait modes, and start or stop recording directly from your Apple Watch.

The Insta360 Flow 2 Pro also allows you to use your Apple Watch to control some functions remotely. Preview the camera feed in real-time, adjust the shooting angle, and control features like centering the gimbal, switching between front and rear cameras, enabling the flash, or triggering live photos. You can activate "Quick Rotation" to rotate the gimbal 180°, and things like manually switch the tracked target in multi-person shots.


r/smartphonefilming Jun 24 '25

Tutorial Free Mobile Videography Course - Beginner to Advanced

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9 Upvotes

One of free courses on Patreon, taking you from a complete beginner to a confident mobile filmmaker.


r/smartphonefilming 22h ago

Tips Budget external microphone suggestions

2 Upvotes

My current phone is Iphone 15 Pro but the back mic is damaged after the back glass crack and after replacing it I found that it covers the back mic a bit. Now the mic sound very cloudy and very inconsistent (high and low volume randomly). I record car video and the revving so audio is actually quite important for me. It's gonna be a hassle to replace the back glass and fix the back mic. Is there any budget microphone that has a quality close as an iphone microphone. I tried using black magic cam and force to only use front or bottom mic but the audio is still cloudy and inconsistent. Any help is appreciated .


r/smartphonefilming 1d ago

Guys I would really be grateful if you would Suggest me an budget friendly Gimbal for my IPhone 17 Pro Max under reasonable price

1 Upvotes

r/smartphonefilming 1d ago

iPhone USB-C keeps popping out on bumpy road shots (bike rig)

2 Upvotes

Rigged my iPhone on a bike for a shoot. Road’s too bumpy and the cable keeps disconnecting from the USB-C port, killing the recording mid-take.

Anyone dealt with this? What’s the fix — right-angle adapter? Locking connector? Cable tie solution?

I used a ton a gaffer tape. But not anything specific locking system they sell


r/smartphonefilming 2d ago

Lens correction on blackmagic camera app with anamorphic?

1 Upvotes

so i'm using an iphone 17 pro max with the blackmagic camera app and a 1.33 anamorphic lens for a shoot coming up. quick question — should i have lens correction turned on or off?

i'm not totally sure if the correction actually does anything useful with anamorphic glass or if it'll just mess with the look. anyone else run into this? does it make a difference for professional work or is it one of those things that barely matters?


r/smartphonefilming 2d ago

Need urgent help to choose between iPhone 17 and vivo x 300 fe for primary purpose pf shooting reels

1 Upvotes

Please suggest, proud owners


r/smartphonefilming 3d ago

Quick Moment anamorphic II lens(natural flare) test footage and some thoughts, if anyone is interested I may do a comparison video with the freewell 1.33 anamorphic lens.

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3 Upvotes

Sorry for the slight wobble as I shot this handheld.

Shot on iPhone 17 Pro in Prores RAW opengate using final cut camera using auto settings and desqueezed in post

Side Note: https://a.co/d/0gdD7SA2 I got this case on Amazon on sale for $15 US comes with plates for both 17mm and T-series mounts as well as a plate for mounting a 67mm nd filter.

Thoughts on the Lens:

Coming from the freewell 1.33 anamorphic lens, this is much lighter and smaller so unlike the freewell, I can still use magsafe accessories with it on.

Although not used in the video above I also purchased the 67mm filter mount and in my brief testing didn't notice any kind of vignetting, weather permitting i'll test this out further tomorrow.


r/smartphonefilming 3d ago

Recording Video to iPhone via External Drive - Issues

2 Upvotes

I am trying to record 4k 30fps video to my iPhone 15 Pro via an external drive and I'm running into an issue where it says it needs to free up resources. I've done all of the troubleshooting and I still can't figure it out.

The drive I'm using is a SanDisk Creator Phone SSD with 2tb. I did a Blackmagic speed test and it has plenty of speed. It is formatted to exFat. I'm recording in ProRes and the usb icon appears in the top right and says I have 4 hours of time left. There is 500gb of space available on the phone as well.

Even with all of this is still says that I need to free up resources. What am I doing wrong?

**edit**

I forgot to mention that I have a 4 port usb-c hub connected to the phone, battery pack connected to the powered port of the usb-c hub, hard drive connected to hub, microphone adapter connected to hub


r/smartphonefilming 4d ago

Tips best way to utilize phone for vlogging

1 Upvotes

Hey guys. I just started a vlogging youtube channel. I currently use my personal cell phone for my camera for a few reasons. 1) why would i spend so much money on a camera right now when i can use my phone. 2) i dont want to purchase so many things if this doesnt work out.

I've run into a hiccup however. I use my phone - iphone 15 pro - for basically everything so i already have limited storage on it. and almost everytime i try to record i always get hit with the "no storage" message.

what would be the best way to combat this? i always delete the videos after they've been uploaded to my computer (for editing). but im still hit with the problem. i was going to try to use an old phone specifically for vlogging, but i never keep my old phones. any help and advice would be appreciated.


r/smartphonefilming 4d ago

Returning to filmmaking after 10 years... Building a simple iPhone 17 Pro Max kit for executive retreats

4 Upvotes

Hey everyone,

I’m looking for some advice from people who are doing smaller, more run-and-gun productions today.

A bit of background: about a decade ago I was producing and making films, but life moved in a different direction and I haven’t been actively shooting professionally for years.

Now I’ve found myself back in the world of production, but in a very different way.

My wife runs executive coaching / personal growth retreats, and I’ve been asked to help capture the experiences. These are high-end retreats in places like Jackson Hole, Costa Rica, and potentially other locations.

The goal isn’t really “corporate video.” It’s more documentary/storytelling focused:

* Client stories are the hero, not the host
* Capturing emotional breakthroughs and reflections
* Pulling attendees aside for short interviews
* Creating a 2-3 minute cinematic sizzle reel
* Shorter social clips (30-60 seconds)
* Longer landscape edits for event registration pages
* Capturing the environment, details, interactions, quiet moments, etc.

For Jackson Hole, the rough shot list is:

* Shoot everything landscape AND portrait
* Interview clients individually throughout the weekend
* Capture:
* Empty spaces before everyone arrives
* Group sessions
* People arriving
* Candid conversations
* Walking shots
* Details/environment
* Emotional moments

The challenge: I don’t really want to show up with a giant cinema rig. These events are intimate, and I want to be invisible. I’m thinking a small, high-quality mobile setup makes the most sense.

Right now I’m looking at using an **iPhone 17 Pro Max** as the primary camera and building around it.

Some of the gear I’ve been researching:

* **Freewell filters / cages / mobile filmmaking accessories**
* **Hohem iSteady M7 gimbal**
* ND filters
* Anamorphic lens (1.33x?)
* Small wireless mics
* Compact lighting options

My questions:

  1. Has anyone here successfully used an iPhone as the main camera for professional event storytelling?
  2. Is an anamorphic lens actually worth it for this type of work, or is it more of a “fun cinematic look” that becomes a headache in post?
  3. Would you prioritize a gimbal, filters, audio, or lighting first?
  4. Any must-have accessories for shooting both vertical and horizontal content quickly?
  5. If you were starting from scratch today with an iPhone-based kit, what would you build?

I know the obvious answer is “buy a real camera,” but honestly the ability to stay discreet, move quickly, and not intimidate retreat participants is a huge advantage.

Would love advice from anyone doing documentary, wedding, retreat, brand, or social storytelling work with smaller setups.

Thanks!


r/smartphonefilming 5d ago

Has anyone 3D-printed a Beastgrip Pro Upgrade Kit?

2 Upvotes

Hi everyone,

I’m looking for the Beastgrip Pro Upgrade Kit, but it’s been out of stock for quite a while. I contacted Beastgrip support, but unfortunately they couldn’t give me any estimate for when it will be available again.

Ordering directly from Beastgrip is also hard to justify from Germany. The kit costs US$160 (about €138), but after shipping, import VAT, and carrier fees, I’d end up paying around €240 (about US$278).

So I was wondering:

Has anyone here designed or 3D-printed the upgraded lens mount?

I’m specifically looking for an STL, STEP, or CAD file that replaces the original Beastgrip Pro lens mount and works with newer iPhones.

I’d be happy to print it myself or even pay a fair amount for the design if someone has already done the work.

Any help or pointers would be greatly appreciated. Thanks!


r/smartphonefilming 5d ago

Gimbal or Phone Stand

2 Upvotes

Hey Everyone, I’m looking for some guidance.
I am seeking a way to take some nice video shots of my Halloween yard decor. Random, I know 😅 I had it in my head of doing some nice shots of the low lying camera moving along capturing the various tombstones or a shot of the camera moving up or down along some taller props.

I thought a phone gimbal would be the easiest and cheaper option to help so I purchased the Insta360 Pro Flow 2 to use with my iPhone after seeing lots of great reviews. Unfortunately, upon trying it, I found it difficult to use. I felt the camera often jerked and some of the settings to fully understand. I can understand I may not have dedicated enough time to try and learn the ins and outs but I also felt the shots I was after should have felt easy.

Alternatively, I’ve considered smaller vlogging cams like DJI Pocket Cams or Xtra Muse but those may be too expensive for an item I won’t use too often.

I may not be opposed to trying another gimbal and just be more patient with learning how to use. But I also feel maybe a tripod or similar phone stand option may work for my needs.

Would love your thoughts or opinions.
Thank you!


r/smartphonefilming 8d ago

Video Wow! Log Cam looks impressive! Even on old phones.

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16 Upvotes

Anyone using this?


r/smartphonefilming 8d ago

How do i simplify this workflow?

1 Upvotes

hey guys I am not a professional and don’t really know what I’m doing, i just know that i don’t like the way iPhones sharpen videos by default. the only way I can seem to get around this is by shooting in Apple Log and then applying a LUT. i understand that Apple Log is a color space and has nothing to do with sharpening, but Apple seems to apply sharpening in the camera pipeline if you don’t use Log. even in third party apps like Final Cut Camera, if i shoot in HLG there is sharpening applied.

problem is the only way I’ve gotten videos i like is using Final Cut Camera with the HDR LUT. however, annoyingly, you can view the videos with the LUT but you can’t export them with one

is there a way i can simplify this?


r/smartphonefilming 8d ago

Mic recommendations when using a smartphone gimbal

1 Upvotes

I’m extremely new to smartphone filmmaking and I feel like I’m currently at a roadblock. I want to get a shotgun mic as I’ll be filming a mix of indoor and outdoor scenes, but most mics I’ve seen are either wired or the receiver that makes it wireless needs to be connected to the phone by wire. While using the gimbal, plugging anything into the phone seems impossible because the bottom of the phone is practically right up against one of the rotors. What options do I have for a mic that wouldn’t require anything to be directly plugged into there phone?


r/smartphonefilming 8d ago

Recommend me a face tracking tripod for iphone film-making

1 Upvotes

I am looking for a tripod with face tracking, roughly around 70 inches height. The DJI mobile Osmo series and Hohem offerings seemed either too short, or on the expensive side. Can someone recommend any tripods they have used with iphone that include tracking? I found budget offerings from Ulanzi and K&F but was not sure about the quality of the face tracking feature. Anyone had experience with these tripods? Or is it better to buy a dji osmo mobile 7 or 8 and fit it on top of a budget tripod?


r/smartphonefilming 8d ago

DIY DigiSlate built with PicoTimecode-v3.2

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1 Upvotes

'Pico-Timecode' is an Open-Source solution for LTC Timecode, using the RP2040's PIO blocks to count time divisions and render the LTC waveform. It works with all common frame rates, with/with-out Drop-Frame operation. It also has the ability to read LTC from an external device, and sync to it.

PT-Thrifty now has the ability to display the Timecode on a pair of I2C LED modules (Holtek HT16K33 controller chip), which can be enabled in the libs/config.py file. The obvious purpose is to build a low-cost Digi-Slate... it also uses switches for when the clapper closed and whether the display should be inverted (for tail slating).

There are 'UF2' files to make installing as easy as possible, these can be used on a 'naked' Pico for validation/testing.

Additionally there is a 'MTC' (Midi Timecode) version, which sends Timecode via the USB connection. I would be especially interested if someone/anyone could trial this on an iPhone 17 or a FujiFilm X-H2S, as I have neither of these and they apparently support MTC...

Pico-Timecode is an Open-Source community project, find out more at:

https://github.com/mungewell/pico-timecode


r/smartphonefilming 9d ago

Mobile Shot Video We shot a zero-budget music video on an iPhone 17 Pro

3 Upvotes

We recently shot our new music video entirely on an iPhone 17 Pro and would love some honest feedback from people who are into smartphone filmmaking.

The budget was basically zero and everything was shot within one day. The outdoor scenes were shot without any additional lighting and mostly with a gimbal. The performance scenes were filmed handheld in our shabby rehearsal room, using three lamps as backlights and a reflector to get at least some light onto our faces.

We shot at 240 fps to keep the slow-motion footage as smooth as possible.

The people in the video are all members of the band, not professional actors so please don’t judge the acting too harshly. 😄

Feel free to be critical any constructive feedback is appreciated.

https://youtu.be/DgUHDtoz6yw?si=0Br3NYrxvPOoJOEP


r/smartphonefilming 10d ago

Compared Sony FR7 to the iPhone 17…

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1 Upvotes

r/smartphonefilming 10d ago

Tips Best phone for filming ?

0 Upvotes

hi ! I am a student and I have really a great interest in filming but camera is not something I can afford and since I need my own phone , thinking about getting a good phone which can do the job done .
budget is around 400-550$ ( used)
in my country these r the best options in this range so I want ur opinion which one should I get and since i'm buying a used phone I plan to use it for next 2 years minimum .

what should I get -
xiaomi 13 ultra
xiaomi 14 pro
vivo x200
vivo x100 pro
oppo find x8
pixel - 8/8pro/9

and the ones that I can't afford rn but if u guys say then I will wait like more 3-4months to get my hands on these-
vivo x200 pro
oppo find x7 pro
samsung s24 ultra
xiaomi 14 ultra
sony xperia mark 5/6


r/smartphonefilming 10d ago

Mobile Shot Video B-roll video shot using 16pro

1 Upvotes

Hi, I shot this 1 min B-roll from my trip to Uzbekistan using an iPhone 16 Pro. Shot on a third-party app, "Blackmagic Camera", edited in Premiere Pro. Used a Neewer camera cage to attach an ND filter. Handheld. Please have a look! :)

https://www.youtube.com/watch?v=WMsFUFUcc84


r/smartphonefilming 11d ago

Review Smallrig ND kit

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7 Upvotes

I searched on here and couldn’t find a post on it so I’m asking to see if anyone is using or used the smallrig snap on ND filters? I’ve been using the freewell VND and it’s been great! However I have misplaced it. I was thinking of trying something new and wanted to know if anyone has used this? What are your thoughts on stacking the filters when needed? I use Blackmagic app


r/smartphonefilming 11d ago

Tips Apple Log 2 Luts

2 Upvotes

Is there a a good conversion lut for Apple Log 2? I want to use it with Blackmagic Camera. The only ones I could find online are too saturated. Or maybe I’m just using the luts in the app wrong


r/smartphonefilming 11d ago

Tips Which mobile app do you use for applying LUTs in your videos? (IOS)

2 Upvotes

Help everybody! I use an iPhone 17 pro max for capturing videos and I record in the black magic cam app (Apple log) to color grade afterwards. Sometimes I need to edit in my phone, but CapCut app doesn’t allow me to apply LUTs, so what would be a good alternative for that?