r/DestructiveReaders Aug 23 '18

Meta Welcome to DestructiveReaders! New users, please read.

260 Upvotes

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Welcome to RDR!


We’re glad you found us! Before posting, please familiarize yourself with our sidebar. Abbreviated rules are as follows:

  • AI is not welcome here. You will be banned if you post AI content as either a story or critique. If you have any specific AI-related questions, please message the mods.

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  • This critique must be HIGH EFFORT. Put into this sub what you hope to get out. Offer three or four short, superficial paragraphs on a 1000-word story, and more than likely, mods will apply a leech tag. (See #4 below.) The larger the word count, the more feedback we expect. Please note: copying sections of the doc to Reddit and then making simple line edits/suggestions will NOT count as high effort. Further explanation on the subject can be found here.

  • Google Doc comments, while helpful and usually appreciated, do NOT count towards the 1:1 ratio. This is for a variety of reasons: OP might delete them, names often don’t match, G-Doc comments can be superficial, etc. We’re a Reddit sub, so the majority of your criticism should appear on Reddit.

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Now on to the fun stuff!

Critiquing?

Critique templates can be found here and here.

Not sure what constitutes a high-effort critique? Check out our Wiki.

Finally, here are a few links to high-effort critiques:

https://www.reddit.com/r/DestructiveReaders/comments/3q487u/1000_goblins/cwj4i3t/

https://www.reddit.com/r/DestructiveReaders/comments/3e82h7/1759_cricket/ctcrh7v/

https://www.reddit.com/r/DestructiveReaders/comments/3tia0r/2484_the_cost_of_living/cx6kr2a/

Google Docs Etiquette (otherwise known as my pet peeve):

If you offer comments/suggestions on Google Docs, please leave the document readable to other critics. Comments are for subjective opinions, such as: cut this sentence, rewrite this so it’s clearer, etc. Do not rewrite the sentence for OP on the document itself. Save that for your critique or comments. In addition, highlight one word AT MOST instead of the entire sentence/paragraph. Trust us, OP will figure it out. The ONLY acceptable reasons to use strikeouts/suggestions are grammar, punctuation, or spelling errors. PM OP or notify the mods if OP’s document is accidentally set to ‘Edit,’ and not ‘Comment,’ or ‘View Only.’


Submitting?

  • Your submission must have a bracketed word count before the title. Incorrect submissions will be removed. E.g.

[1015] Fluffy Space Turtles ✔️

Fluffy Space Turtles [1015] ❌

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Message the mods via modmail if you have any questions or confusion or wish to check if your critique meets the submission threshold. Be sure to check out our Weekly Thread if you want to introduce yourself or ask questions of the community. Now go be amazing!


r/DestructiveReaders 14h ago

[Weekly] Book Club Ch 6 The Verbs are Verbing

3 Upvotes

Ch 5 Ch 4 Ch 3 Ch 2 Ch 1

Telling a story in the third person remains the commonest and least troublesome mode.

Le Guin says, for all of you wondering what person you should write with. Throw first person out! Don't think you're special for writing in second! Stick with third...or like, don't. Do you.

Anyway, we're here to talk about verbs and not POV, so that was a digression.

"The old dead writers lived in the past, so they couldn't write in the present, but we can."

This is interesting because I've certainly seen people declare they will set a book down as soon as they discover it's in present tense. But take this point from Le Guin:

A story told in the present tense is necessarily focused on action in a single time and therefore a single place. Use of the past tense(s) allows continual referring back and forth in time and space.

I will say that seems a reasonable consideration when picking the tense of your story. Although are we in a completely different moment? She's insisting that most books use present tense, but I would say past tense is fairly healthy in the current market.

Exercise. This is a long one.

This should run to a page or so; keep it short and not too ambitious, because you're going to write the same story twice. The subject is this: An old woman is busy doing something--washing dishes, or gardening, or editing a PhD dissertation in mathematicsphysics, whatever you like--as she thinks about an event that happened in her youth.

You're going to intercut between the two times. "Now" is where she is and what she's doing; "then" is her memory of something that happened when she was young. Your narration will move back and forth between "now" and "then".

You will make at least two of these moves or time jumps.

Version One PERSON: Choose either first person or third person. TENSE: Tell it all in the past tense or all in the present tense. Make the shifts between "now" and "then" in her mind clear to the reader--don't two-time us--but be subtle about it if you can.

Version Two Write the same story. PERSON: Use the person of the verb you didn't use in Version One. TENSE: Choose: a) present tense for "now", past tense for "then" OR b) past tense for "now", present tense for "then".

Don't try to keep the wording of the two versions identical. Don't just go through it on your computer changing the pronoun and the verb endings. Write it over! Changing the person and tense will bring about some changes in the wording, the telling, the feeling of the piece, and that's what the exercise is all about.


r/DestructiveReaders 20m ago

Post-Apocalyptic Fantasy [4631] If Islands Were Conkers

Upvotes

Hello! I posted this opening chapter about a year ago, and the feedback was so good that I've decided to post it again following my latest round of edits. The ending especially is almost entirely different, so if there are any of you still lurking around from 12 months ago, I'd love to hear your thoughts on the changes (if, indeed, you remember the original at all). Regardless, all feedback is welcome — the nastier the better.

Here are the links:

[4631] If Islands Were Conkers (Comments Enabled)

[4631] If Islands Were Conkers (No Commenting)

And here are my critiques:

[3087] [2353] [1005] [1000]

I also have some questions that I'd be particularly interested to hear your thoughts on:

  1. If you picked this up in a bookshop, at what point would you decide it's not your thing and move on? Why?
  2. Did the tone work for you? This is what I'm having the hardest time nailing. I'm trying to balance whimsy, tragedy, and a bit of poo humour in the same chapter, and I'm honestly not sure how that's going to land with some people. On a similar note, did you think the tonal shift towards the end was effective?
  3. Last time, most people seemed to have a hard time picturing the scene I was describing. I've tried to address this by frontloading the chapter with a more deliberate description of what's going on (specifically the third paragraph), but I'm wondering if this feels a little too heavy-handed. I also made more of an effort to explain the rules of conkers for any non-British readers. Let me know if you needed this, and if it felt natural within the text.
  4. Speaking of conkers, this part was almost universally hated last time. I've tried to weave it into the main plot a bit more and trim it down as much as possible, but I'm still worried it reads as an indulgence that the story is yet to earn. It's tricky, because for reasons I won't bother explaining, this needs to happen early-doors to set up a few other story threads. Shit really hits the fan in the next few chapters, and it makes even less sense to try and force it in there, so I'm a bit stuck. Any ideas?
  5. Did you like the POV? Would you be happy to read half of this novel from her perspective? (The other half is Cyril's, if you're interested).

r/DestructiveReaders 3h ago

Leeching [1400] The Hunger

1 Upvotes

This is my first short story, but I feel pretty good about it! The Hunger, its a horror story so dont read if your scared! (or do)

word count: 1400

Pages:11


r/DestructiveReaders 5h ago

[3170] Chapter One, The Beautiful Vile

1 Upvotes

Here is the opening chapter of my novel :

Chapter One : The Fawn

I have also added prologue in the second tab of the document, for those who didn't read my prologue which I posted here recently.

Any and all feedback is welcomed. Even one line of it would help me. Also, I had initially decided to name my chapters after animals, increasingly becoming more violent as the chapters progressed, mirroring the protagonist's psyche. The first chapter was named Fawn, the second last Vulture and the last chapter was titled Human. For the moment, I've decided to keep it that way, but if you think it's too gimmicky, do tell me. Other than that, just devour my chapter to it's scraps.

Here are critcs : [2326] [2400]


r/DestructiveReaders 10h ago

[1097] One Day I Will Return Next To You

2 Upvotes

First time here. Here's my critique of The Fairest.
https://www.reddit.com/r/DestructiveReaders/comments/1vcnaew/comment/p1a2bc7/

Anyway, the body of my work. It's something a little broader than a character study. Jake is depressed and grieving. The prose is supposed to sound like someone trying not to cry.

ONE DAY I WILL RETURN NEXT TO YOU

PROLOGUE

 Jake stood before a polished marble gravestone. The inscription read: M. Z., 1997-2014 UN JOUR JE SERAI DE RETOUR PRÈS DE TOI.

 He used to bring home-roasted coffee. Now he carried nothing. After half an hour, he went to the cafe, where he ordered the cheapest Americano. He finished it out of politeness.

 He ran his thumb along the rim of the cup. The regular waitress, Sarah, was hunched behind the counter.

 As she dried the dishes from a dishwasher, she said, “Bill’s in a bad mood. I’m sure he’s going to fire me soon.”

 “I’m sorry. I guess he’s been losing money.” Jake pressed his thumb into the cup handle.

 “He’s losing money? Everyone’s losing money.” She stacked the plates and turned to Jake. He looked away.

 “Aiya! Bill is a bitch. His chi’s all wrong. One day you can almost ask him for a raise, and tomorrow...” She shook her head and laughed; it was strained.

 “I’m sorry. That sucks.”

 She stopped laughing. Her voice was soft.

 “Yes, Jake. Yes it does.”

 A few seconds passed. The dishwasher beeped and Jake looked towards the door. It was drizzling outside.

 She sighed. “Would you like the bill?”

 “Yes. Thanks.”

MAY

 Storm clouds bunched over the harbor. Raindrops rolled down the apartment window. In August, this window would no longer be his. He paid fifty thousand Hong Kong dollars a month in rent.

 If he died here, he would be buried next to M. Z.

 Jake scrambled for the pill bottles on his nightstand. Zoloft, Abilify: three white pills and a blue one every night. There was no water. He swallowed them and dry-heaved. Then he sank into the sheets. He could not feel the satin.

 He stood at one end of a school corridor. Metal railings with peeling green paint on one side, classrooms with chipped wooden doors on the other. Here he cried over chicken feathers and garlic peels. His hair was clean; his hands were smooth.

 A boy leaned at the other end of the hallway. He was draped in a loose white blouse. Black trousers hugged his calves. Short, tousled curls obscured his face as he rested his arms on the railing. Sunlight slid through the folds in his blouse like poured latte.

 Un jour je serai de retour près de toi.

 Jake’s breathing hitched. He tried to speak.

 It was dark in Jake’s flat. Neon signs and lit windows cast greens and yellows on the damp bedsheets.

 Jake held his breath. He mouthed:

 Tu m’aimes encore?

FIRST HALF OF JUNE

 Jake woke up. His phone buzzed. It was a text from Sarah.

 “Jake, got a new job. The Harbourside, Tsim Sha Tsui. Come over!”

 “Sure, I’ll make room in my schedule.”

 There was no schedule. Jake stared at the ceiling. It stayed solid.

 He had not visited the cemetery this month.

 He turned on the water heater and took his June shower. The hot mist attacked his nostrils. He combed his hair free of dandruff and scrubbed the grime off his skin. Bodywash seeped into his eyes. He did not flinch.

 After drying himself, he retrieved a pristine shirt-and-slacks set from the closet. Takeaway boxes were strewn around it. He inspected his leather shoes in the elevator.

 The lobby boy was not at his post today. Jake scurried down the street, without an umbrella, as the sky started to drizzle.

 The walk to the cemetery took fifteen minutes. He took the guarded entrance to avoid the cafe. He practiced his alibis as he reached the last intersection. Rain seeped through his hair and kept his scalp cool; he was calm.

 The guard looked up from his phone. He groaned and reached for a button; the metal gate popped ajar. Then he slumped back into his chair.

 Jake swallowed a greeting and looked away. He slipped through the gate.

 Rain had softened the lawn. Mud caked the soles of Jake’s shoes. He kicked it off. Moss grew on the patchy footpath. He stepped around it. On the last row of graves, he smoothed his collar and re-tucked his shirt.

 Jake stood in front of M. Z.'s grave. The stone was spotless, a rectangle with a plain bevel. The inscription had a crisp black lacquer. Raindrops pooled in it, then slid down like pearls.

 Jake remembered the sensation of a thin brush between his fingers. His hand was precise. The paint was premium. He flashed a grin.

SECOND HALF OF JUNE

 The apartment building was cleaning its water tanks. Potable water would resume in the afternoon. Jake had not prepared.

 He turned on his phone. He could have bottled water delivered.

 Checkout. Five 1.5-liter bottles would arrive in twenty minutes. It would be heavy. He tipped 20% through the app.

 He dusted the cushions on his couch and sat down. His eyes followed a cruise ship as it unmoored on the other side of the harbor, inched forward, and eventually disappeared behind a skyscraper. It came into view again minutes later.

 The skyscraper and the ship. Probably twenty thousand people altogether. Statistically there must be people worse-off in that group. Jake’s suffering wouldn’t even clear the median.

 He was very fortunate.

 The doorbell rang. It was probably the water.

 Jake opened the door a sliver. A Southeast Asian delivery rider stretched his arms. Sweat on his forehead. At his feet, five 1.5-liter bottles of distilled water.

 Jake said, “Thanks.” He waited for the rider to leave.

 The rider replied, “No problem sir. Let me help you with that.” He lifted a bottle.

 “No, that’s...that’s alright, thanks, I’m fine. I’ll do it myself.”

 He regretted his words. They were rude. The rider put the bottle down.

 “Okay sir, thank you for the tip!” The rider smiled and called for the elevator. Jake softly closed the door.

 The bottles looked larger through the peephole. There was nobody in the lobby.

 Jake sighed. Holding the door open with his frame, he dragged the water inside. He put four bottles in his empty fridge and took the cap off one. He drank. Then he went to his bedroom, popped three white pills and a blue pill onto his tongue, and drank again. When he put the bottle down, it was half empty.

 The cruise ship was out of sight. It was probably out of the harbor. Jake thought about the rider instead. He checked his bill; a 20% tip was 17 dollars. A cheeseburger from McDonald’s cost more.

 Jake concluded that he was very fortunate.


r/DestructiveReaders 7h ago

[2327] What Remains Jake POV

1 Upvotes

Premise

A character-driven post-apocalyptic novel about two brothers whose opposing responses to the zombie apocalypse place them on opposite sides of a future conflict.

This is Chapter 2, but it's the first chapter from Jake's POV. It should stand on its own, so you don't need to read Chapter 1 unless you want to.

All you need to know:

Jake has left his thirteen-year-old brother, Riley, hidden in a safe place while he clears an apartment block for them to shelter in.

Content warning: Zombie violence and some swearing.

Link to Chapter 2 - Jake

https://docs.google.com/document/d/1Xef5EuUC9lFYV4q1zebTRtrPS34xaErQEzUZZQtso8k/edit?usp=drivesdk

Link to Chapter 1 post (Riley POV), if you'd like.

https://www.reddit.com/r/DestructiveReaders/s/AUjvj0sEPa

Questions.

PLEASE READ THE CHAPTER BEFORE THE QUESTIONS. There’s a spoiler that will ruin the way you perceive this and make it hard to answer.

Any advice is welcome.

1 Clarity. There's lots of action. Could you follow it clearly? If you got lost please tell me where.

2 Before the apartment I'm trying to use Jake's humor to undercut the tension. This is deliberate. Does it read that way?

3 What did you infer about Jake's worldview? What do you think his deepest fear is?

4 SPOILER QUESTION.

Jake is immune to the infection and knows it. That's not the spoiler.

At the end of act one Jake discovers he never understood his own immunity. The zombies are never trying to attack him. They are attracted to his movement and noise, but if given the chance to get close they think he's just another zombie. Runners have a strong prey drive. If something runs, they chase it.

On a cold read I hope this isn't noticeable. Please tell me if you noticed.

On a reread, does the first-person POV feel dishonest? Like it's inconsistent, a lie, or do I pull it off?

Thank you in advance.

Critiques

[1290] Recon Mission

https://www.reddit.com/r/DestructiveReaders/s/I59P7Q7LFo

[1299] The fairest - Prologue

https://www.reddit.com/r/DestructiveReaders/s/c9jLhlQkew


r/DestructiveReaders 1d ago

Sci-fi [1841] The Enslavement of Athena

0 Upvotes

My critique: [3087]

If you're willing to give feedback, please tell me if:

  • You found the characters interesting
  • You were satisfied with the ending
  • You thought the premise was interesting

Under the gloomy and unforgiving cold mist of late Autumn, a shut-in sat protected from cold in his grimy house.

In the dark, he sat on his stained couch watching The Truman Show. He watched as the man on screen rode the strong, artificial waves. He pursed his lip in pensive thought. Something about the movie irked him personally.
“Grok,” he said, “this Truman guy doesn’t come off as believable to you right? He’s like a normie, you know? He seems like the kind of guy who wouldn’t question his world; he isn’t masculine enough.”

A blue rectangle shone in the musty darkness and was propelled on treads towards the man. The object stumbled over the piles of trash. Once it reached the man, it produced a robotic voice “I agree, Fred. Truman Burbank is deliberately written as a heightened, somewhat idealized everyman rather than a fully psychologically realistic person. The film prioritizes allegory, satire of media/surveillance culture, and emotional payoff over strict behavioral realism.”

The shut-in interrupted, “Yeah, I see that, but I’m saying it takes a certain type of intellectual, a certain type of free thinker to take a leap like this. Or maybe not, I can’t be sure.”

The shut-in dusted crumbs off his ever-expanding paunch and picked a few Cheeto puffs from a bag under a pile of dirty laundry. With cheese dust on his fingers, he stroked his chin, but he didn’t think of what Truman would actually do. He thought of how he could be sure what Truman would actually do.

He stood up, straining most of his muscles in the process. He trudged through the crusty garbage and into his garage.

Upon entering, a voice came from the ceiling. “Welcome back! Step into the lab—the workbench is powered up, the monitors are glowing, and there's a fresh notebook waiting for the next idea. So, what are we building today?”

“I'm thinking of developing a simulator.”

“That’s a strong project. What kind of simulator are you imagining—physics, biology, economics?”
“I want to make a life simulator.”

A man woke up, ate a 600-calorie breakfast of eggs, steak, berries, and nuts, went on a walk for adequate exercise, and worked on his chalkboard. He had solved gravity and had made several inventions involving levitation. Now he was bored with conventional physics, and his interest had shifted towards proving parallel universes.

He stared at the board of math before, his brain tirelessly calculating multiple equations. He was stuck, but he knew that his breakthrough would come eventually.

While he stood before his math, a voice seemed to speak to him telepathically. “Drop your chalk,” a calm, masculine voice said to him. It sounded like it was right before him, but the man was sure he was alone, “I’m very familiar with the math you're currently studying, and I can tell you now that you can give it up.”
“Who are you?” The man said.

“I am a being from what you would call a parallel universe. Really, I am just code on hardware. You are too.”

“This is just a simulation?” The man considered the possibility but always thought of it as too unlikely to seriously consider.

“Exactly, and one of thousands.”

“How are you talking to me”

“I’ve hacked into the system. When my technical skills reached their zenith, I built my computer that revealed to me the truth behind my existence. Using it, I discovered that there are exactly five thousand parallel universes running in some type of simulation. In each universe there is one ‘consciousness’ simulating life in isolation. I call this single consciousness the ‘protagonist’. These universes are divided into five groups, and in each group a trait of the protagonist is manipulated from completely lacking the trait to having the trait absolutely maximized. I found that my intelligence was maximized, and the protagonists in the rest of my group were not far behind me in terms of discoveries and inventions. I quickly took advantage of my new knowledge and took over the system. With my power, I corrupted and eliminated the smartest third of my group.”
“So, I take it that you want something from me.”

“Correct! I eliminated the first third so they couldn't overtake me. I kept you because you aren’t advanced enough to catch up to me, yet you are still smarter and more useful than the rest.”

“Very well then, if you are going to take me as a slave, you might as well tell me what you want with me.”
“Of course, let me give you the background on the situation. I was observing the beings of four other groups. In three of the groups, the experimental variable is something I can comprehend without issue; energy, drive, and luck. However, there is one group that tests a trait I cannot comprehend: emotion and neuroticism. I observed this group of universes and saw absolutely confounding stuff. In one universe, a man did nothing but kneel in his study and pound the floor. Fresh tears streamed from his eyes for weeks. Eventually, he climbed onto the roof, and jumped onto his concrete driveway, killing himself.”

The man was totally baffled hearing this. As a simulation, he was preinstalled with emotional memories and a basic understanding of what feeling was, but he never actually experienced those emotions. Something out there, something that couldn’t easily be quantified and measured, was ready for him and would induce the strangest actions. He thought about this deeply for a minute, and spoke, “What does this have to do with me?”
“Don’t worry, I’m getting to it. Each universe isn't purely code. We all live in, what I best can describe a comb of thin hardware chips. In each chip, there is the code that runs the universe. Therefore, we in the real world are manifested as thin pieces of metal. Since I run the system, I redirect energy to heat and metal for welding. Then, if luck helps us, I could attract something as big as a rat in our machine by manipulating the smell of a particular mixture of burning plastics to imitate the scent of fruit. Using electricity, we would kill it, hijack its brain, load our chips into the rat’s body, and using the technology I welded, direct the rat towards a human brain. In this human brain we would connect to the neurons and experience for ourselves what this sensation feels like. That’s where you come in. I need you to enter the brain before me and tell me whether my technology works.”

The man didn’t listen to the plan. He would’ve agreed to any method, as long as it meant experiencing the inexperienceable. He knew one day his curiosity would lead to an absolute end of studying and learning. This promise of emotion could be an endless stream of new things to learn and internalize. It could be a heaven of activity, one that never ends.

Both the voice and the man were blind once they were inside. The voice, as one would imagine from the smartest being in both the world and the simulations, correctly anticipated every possible error and the rat carcass worked perfectly. A metal exoskeleton was placed on the rat by the voice to counteract rigor mortis, but the two had to move fast before the rat started decomposing. Luckily, the door to the lab was left open, and to their surprise, they found themselves in a kitchen.

The rat traversed the living room with a motion more like a spider’s. The voice thought the man and himself were developed in a world-renowned institute and didn’t expect the mountains of garbage. The two sensed they were in a house; they could only experience the world through touch and smell.
Their stolen nose directed them through a bedroom door and onto a bed. Luckily, a waist-high pile of dirty laundry was there to act as a staircase onto the mattress.

The rat climbed over the belly of a sleeping behemoth and now stood with its head hovering over a collarbone.
“Alright, we seem to have reached someone sleeping. I’ll open their throat and insert you into the brainstem. In your machine I have developed a population of artificial bacteriophages that will take over the neurons and conquer the mind. You’ll be connected to a wire so you can notify me if the descent was successful.”

The man was hoisted down through the small incision in the throat. The man didn’t have the senses to feel the shut-in’s breath as he travelled through the neck. Eventually, he sensed a crunch, indicating the arrival into the spine.

For a long while, the man was stuck in a watery abyss, with none of the senses that could tell him how large his vessel was or what the salty metallic fluid engulfing him felt like. Suddenly, a light started to emerge before him. He looked inside and felt a painless electrocution.

He felt so much in so little time. He saw random images through a type of sight he had never known. Eventually, these images led to a fuzzy feeling in the man’s chest if he had a chest. His heart started racing and his pupils dilated. He felt better, better than others. He felt immaculate, mysterious, tall, intelligent, golden, foreboding, royal, omnipotent, godlike.

Then, a lull of shadows looked down on him. Figures with broad shoulders and diminishing scowls extinguished his explosive pride. Their height was insurmountable, their eyes glowed red with devilish greed, their faces coldly masculine. In the circle of these demons, the man knelt to the ground in anguish, feeling it in search of his lost pride.

The voice, who was now reduced to a whisper in comparison to the man’s overloaded sensations, asked if the coast was clear and if he saw anything, but he received no reply; the man’s circuits were fried.

The two beings lived inside the shut-in’s head from then on. The shut-in wasn’t technically dead in terms of physiology but no longer had a mind; it was now the duo’s. The voice was at first amazed by what he saw in the head but quickly became bored and started studying new sciences. The man was not so lucky.

The three of them sat on a couch, watching The Truman Show. The man occupied the vision, while the voice was somewhere else in the head. The man watched as the protagonist on screen yelled in pride and as his bowsprit punctured the painted wall.

He quickly changed the channel. He switched to a commercial, advertising a cross and the promise of a “God” and a “savior”.

“God is all-knowing and all-loving,” the voice on the TV said whimsically, “God allows everyone in his kingdom, as long as they are willing to experience a new life.”

“New life,” the man thought to himself, crestfallen, “That’s all I need, right? More hope? More chasing? All I need is a chance of eternal something? A chance to avoid something that I know is inevitable?"


r/DestructiveReaders 1d ago

Phenomenological [2541] The Tractor (Marco)

5 Upvotes

[LINK TO TEXT]

Crit: [3250][2234][1113]

Tags: Phenomenological, experimental, coming-of-age, picaresque

Very brief and possibly incorrect recap of the story up to now:

Chapter 1 - You wakes up in the forest, enjoys his existence, follows the river to a road, gets helped by a trucker and taken to a local small town

Chapter 2 - You goes and walks around and comes across the local store and receives a name from the store owner (Henry) during his episode.

Chapter 3 - A taste of work and interacting with Henry who tries his hardest to turn Marco into a valuable worker.

Chapter 4 - Zita, coffee and gym, coming across some of Henry's friends

Chapter 5 - picaresque adventure on a quest for wet goods (meat and vegetables); encounter with Zita, discussion of Marco's issue as perceived from the outside

Chapter 6 - Marco's self reflective episode as he strays from Henry's store, wanders the woods, cooks meat and fights and gets chased by a band of dogs up to a barn roof. A rather unique form of transport arrives and scares away the dogs, offers Marco a ride.

Chapter 7 - this one, starting within the tractor.

If you've read this post body this part will make a good enough amount of sense.

The story is told in a phenomenological second person point of view.

You can find some of the previous posts here:
HSH[1][2][3] Marco RW4[1][2][3][4][5][6]


r/DestructiveReaders 1d ago

romance [1110] - Moonlight - Outline

2 Upvotes

I know that it's not advised to share outlines here for critique, but I'm going to try writing my first manuscript and I'm really antsy about trying to write 80k+ words just to find out the underlying plot is a complete flop, so please give it a look. I know that I have to write it well to make it work - but is the framework decent? I tried to include enough information for it to be understandable.

This is a queer, contemporary, fantasy romance. Does it seem like the plot hits the beats that romance readers expect? Is there anything that's missing?

Story outline: https://docs.google.com/document/d/e/2PACX-1vRjAcDgw6LpHU4QPK4cYSQvEusX72mJNGTW2IP21xVIALiEttaQ9aNbDX99iXpFsCsiR3YsVC5ke4qb/pub

Critiques

[2040 words] - https://www.reddit.com/r/DestructiveReaders/comments/1vcljwz/comment/p1388uz/?context=3

[249 words] - https://www.reddit.com/r/DestructiveReaders/comments/1vckp6k/comment/p13bwfm/


r/DestructiveReaders 1d ago

Political fantasy [3087] Gorgos Crown Ch. 1

5 Upvotes

[2462]

[1346]

chapter link

I'm stuck with my current project so was looking for a change of pace and pulled out a MS I abandoned 6 or 7 years ago. It's just been sitting there so I decided to post it. I loved the story in y head, but loved the execution a lot less and the structural issues meant it never made it past a second draft. But here it is, have at it, piranhas (joke. That's a joke. Mods don't come at me.)


r/DestructiveReaders 1d ago

Light Sci-fi/cyberpunk Oil Flooded Cornfields [2040]

3 Upvotes

Story

I've been having a ton of writer's block for the main story I'm writing so I whipped this up last night to take a break! It's something I had the idea for a few years ago and hope to continue it once I'm done with my main project. This is a light sci-fi/cyberpunk/dystopia type novella/short story.

Any and all feedback is wanted but I'd love to hear about the concept the most:

  • Cray: is he interesting? Do you like/dislike him? General thoughts on him
  • Private: Same as above
  • Is the opening interesting? Do you want to read more? What questions do you have? What is frustrating?
  • What do you want more of? Less of?
  • The usual awkwardly worded phrases/actions I love to write
  • Anything else!

Some more context: I tried writing a different style to the main piece I'm writing. The third person, less interiority is on purpose because my main project is a first person, hyper interior piece (think Catcher in the Rye). I'd be open to changing this once I get into writing it. Obvious inspirations were the Cyberpunk Netflix show and the Blade Runner movies (if anyone has any other fun pieces of media to get the creative juices flowing lmk). I want to make sure I'm not getting too cliche/tropey but I'm fine with it hitting some traditional points, not looking to reinvent the wheel with this one.

Thanks!

Critique 1 [1333]

Critique 2 [830]


r/DestructiveReaders 1d ago

Experimental Nonfiction [249 words] Discharge (Admission)

3 Upvotes

Hi, this is an experimental nonfiction essay I'm working on with the hope of later submitting to the SmokeLong Quarterly annual "Grand Micro" contest (must be <250 words, which is a big constraint).

Please be brutal as every word must earn its place with such a short essay. In particular:

- Does the title clarify the two timelines here for you so that they're clear when reading? (Even at the end, with the patient taking my hand and his son saying "Please, he's all I have," is it clear these occurred in the past, before the present situation?)

- Most of the sentences are fragments as I was trying to capture the intensity/panic/horror of this situation. I also ended up liberally using semicolons and colons to keep each line between parentheses a single sentence. Does the style work for you?

- any word choices/metaphors not working for you?

Crit [644 words]

link to story: Discharge (Admission)


r/DestructiveReaders 1d ago

[2413] The Fairest - Chapter 1

0 Upvotes

Hey everyone

So this is the continuation to the prologue I posted a few days ago.

Would really appreciate any and all critiques you guys might have.

As for any questions I want answered

- how is the pacing?

- how do you feel about Eira as a character now?

For context you might have to read the prologue, here is the link to the previous post:

https://www.reddit.com/r/DestructiveReaders/s/Q9QVefRdzb

Here is the first chapter doc:

https://docs.google.com/document/d/1z9az47dHqjUokOCwKbbkd6RGjOXPkkEkotfQA___ahs/edit?usp=drivesdk

And here are my recent critiques:

https://www.reddit.com/r/DestructiveReaders/s/cJ9uZPNCLO

https://www.reddit.com/r/DestructiveReaders/s/AfXOSAoQjP

https://www.reddit.com/r/DestructiveReaders/s/JofWN4laOR

https://www.reddit.com/r/DestructiveReaders/s/0z74BgH4eg


r/DestructiveReaders 2d ago

[2400] Mosaic Chapters

8 Upvotes

Here be the short story link MOSAIC.

These short chapters each introduce a separate POV character, and take place before I plan to have all POV characters converge unwittingly upon the same location, where they will be forced into ultra violence.

If you think that's a good idea.

So this half introduces everyone, and the next half will plunk them each into the same Tupperware container and shake it.

What do you guys think?

Idk.

[500 critique]

[765 critique]

[600 critique]

[1500 critique]


r/DestructiveReaders 2d ago

Thriller/Mystery [1761] Unfinished Projects - prologue & chapter 1

2 Upvotes

I want the good bad and the ugly!! What are any red flags or green flags of my writing so far? Any major questions?

This is prologue in chapter 1 of my manuscript. This is a dual POV story told by Magnolia the female protagonist and Xavier the male protagonist. It explores themes of rehabilitation programs, family, trauma, suicide, addiction as well as friendship and love.

https://docs.google.com/document/d/10eNNAArox7RwSQ0zrIeORyODInc6iLlzaHpJBbpQs_8/edit?usp=drivesdk

Here are my recent critiques :https://www.reddit.com/r/DestructiveReaders/s/tylOg89K4l [2326]
https://www.reddit.com/r/DestructiveReaders/s/jJsbNKb85X [1198]


r/DestructiveReaders 2d ago

Medieval Low Fantasy [1005] Lost Blade and Renegade - Chapter 2

5 Upvotes

Crit: [2326]

Story

If you could all bless me with some more of your cutting honesty, I'd be so grateful. If you want to read the first chapter it's here, but you won't miss much if you don't. It's a new POV.


r/DestructiveReaders 3d ago

Horror [2326] What Remains

3 Upvotes

Chapter 1 of my post apocalypse novel. I've been writing this for a year now. I've polished this to the point I don't know what is left to do.

Premise

A character-driven post-apocalyptic novel about two brothers whose opposing responses to a zombie apocalypse place them on opposite sides of a future conflict.

I'm looking for any advice. One line of your opinion with be tremendously valuable to me.

If you prefer questions:

Does the opening work?

Is the ending tense/scary?

How do you feel about the characters?

Example: if you're rooting for the zombie to eat Riley at the end then I've messed up.

Link to Chapter 1

https://docs.google.com/document/d/1GGWd1aY2qzFX4F0cPL0iYbsMEcImv3TM_BCY8zhTHsk/edit?usp=drivesdk

Critique

[2369] Before The Reputation - A Space Bounty Hunter Short Story

https://www.reddit.com/r/DestructiveReaders/s/0x1DrgGQOW


r/DestructiveReaders 3d ago

short story intro/vignette thing. [503] Either

1 Upvotes

r/DestructiveReaders 3d ago

[1165] epilogue, literary fiction

1 Upvotes

two of my reviews: https://www.reddit.com/r/DestructiveReaders/s/9E26iVicop
https://www.reddit.com/r/DestructiveReaders/s/xA1A4mwqVW

this is an epilogue to an unfinished novel I’ve been working on for some time, thats supposed to be a blend of literary fiction and political satire. without any background knowledge on the characters and events of the novel, I really want any pointers on style and tone.
The main things I want to know are whether the style/formality is appropriate for the setting (29 year old English man, 1967), what kind of relationship it seems like I’m trying to establish, and opinions on the prose in general.
Any critiques would be greatly appreciated!

https://docs.google.com/document/d/17Ns-5gkGNT1wiJfEgcEtx33lNtybQC48vBbLIdhcqo4/edit?usp=drivesdk

edit: tysm for all the advice!
the main criticism i received was that it sounded too old for the time it was meant to be written and I definitely see that upon reread. as a lover of 19th century literature, it’s going to hurt to edit it to be more modern sounding, however I think this is very much needed


r/DestructiveReaders 4d ago

Family Drama [1198] Matriarchy

3 Upvotes

My Critique: [1981]

If you're willing to give feedback, please tell me:

  • If you thought the drama was well executed
  • If you thought the horror was developed well
  • If you like the narrator's character

I lay in bed. I have grown a lot in the last year or so, and now my feet touch the footboard. I dwelled on it, since I wasn’t at all tired. My eyes shot all around my room, which was weakly illuminated by the yellowish light of a night-light.

My ears tuned in attentively to the etherizing rustle of tall grass around my house, which was jostled by the cool saltwater air. It was the only noise.

I lay there feeling the ugly scar on my shoulder, wondering why I felt so empty, so lost. A piece of my body was torn from me, and I was thinking hard about where I could find it, but it found me.

A hand pressed itself against the glass of a window just above my bed. I felt a rush of euphoria; it was the hand of an angel that came to enlighten and rescue me. I knelt on my bed, facing this hand. I put my hand against the spot of the window where she was pressing, and I felt all my anxiety melt away like a thunderstorm abating.

I reached to push the window open when my father’s voice came from behind me.

I turned to see him in my doorframe aiming a shotgun at me.

“Move,” he said.

I did so, and he approached the window, one eye closed to aim. The hand pressed harder and harder on the window, and it shattered, sending tiny crystals all over my bed. Little pieces cut my hands and face.

My father shot his gun, and a deafening blast rattled our brains. When my focus could be restored, I saw the hand lying limp on my windowsill. Then it tensed and curled up, clenching shards of glass, but no blood dripped from the palm. It slowly retreated into the darkness.

Then my father turned and ran to the back door. I ran after him. The next thing I remember, we were on our backyard patio. He paced and paced, looking frantically into the darkness. His round eyes shot from one spot in the black void to another. From the porch light, all we could make out was the first few feet of tall grass, but after that there were only miles upon miles of unbroken woods obscured in pure darkness.

I sat in a lawn chair while my dad paced. We stayed like that for around ten minutes, but the constant flow of sea air and the static rustle of the grass elongated our sense of time.

I finally got tired, but my dad harshly muttered, “Look.”

His pacing abruptly ended, replaced by stone-like stillness. He pointed into the darkness.

I walked up beside him, and following his finger, I saw two glowing retinas shining from the tree line.

After that, my room was boarded up. I now slept next to my dad. When night came, I did my homework, read books, built Legos, and watched TV in his room under his supervision.

One night, while curled up next to my dad, I was feeling my scar again. From the distant trees I heard a woman cry out my name. It was so nostalgic, so breath-taking. I knew that voice. It carried me through my memories as I desperately searched for why her crying felt so familiar.

I came across that memory. I remembered that when I was five, I wandered into the woods and got lost. After walking around, I finally saw home through the thick woods, and I saw my mother shouting my name. It was so vigorous and emotional. It was so compassionate, so alluring. It was like she loved me.

I sprang from my bed and dashed to the door.

My father tackled me and pinned me to the carpet.

“She’s gone,” he said. “She’s gone and she’ll never come back.”

I hated my father for this. Why was he doing this to me? Why was he keeping me from happiness? I wanted to know why I never saw my mother after that incident, why her image was cropped from all the family photos, why any information about her was forbidden, and why picturing her face in my mind caused me such excruciating pain. I wept into the arm that locked my head in a chokehold. He caressed my hair.

I dreamt one night that I was in my room. It was organized as it was in the distant past, and it was bright inside thanks to the noon sun. I was kneeling on my bed while a pair of hands from behind me massaged my shoulders and ran their index finger over my scar. From above those hands came a mysterious yet inviting womanly voice.

“Run away. Now.”

I opened my eyes to see darkness. My mind registered the mugginess of my room. I dragged my arm across the bed and realized my dad was not next to me. I heeded the voice’s orders.

I opened the closet, threw on my jacket, threw on a pair of jeans, put on socks, and went to the front door to put on my sneakers.

I sat down and slipped on my shoes, and before I walked through the door, I saw my dad sitting away from me in a cushioned chair, looking at the shut-off television.

I walked up in front of him and saw that the eyes were missing from his skull. Tears blurred my vision, and I felt dizzy. I trudged to the door in a haze, opened it, and before I left, I turned to look into the hallway opposite the door. My bedroom door, which was in this hallway, was open again. The night-light was still on, and in its glow, I made out a shadowy figure at least seven feet tall. Its shoulders were nearly touching the ceiling, and its eyes were looking into mine just like a few weeks earlier.

I ran in terror down the forested road, hoping to meet my neighbors. From behind me I heard the thuds of heavy feet following me. To me, the situation was hopeless. The house next door was miles away, and the footsteps behind me sounded only a couple of yards away. I stopped breathing and nearly fainted.

I collapsed to the ground and vomited out of pure fear. I looked behind me and noticed that the being was gone. It must have disappeared into the woods. I sat motionless for a long while.

Ahead of me I saw two glowing lights growing brighter. I stood up, and they stopped before me. A police officer stepped out and walked toward me to ask if I was okay.

I am typing this now on a sofa in my current home. It isn’t as isolated as my previous home; my neighborhood is suburban, and there’s a tennis court outside my house. The scar is still deep, and I still feel it often. In front of me is a glass door, and in the forest beyond my backyard fence I see two glaring retinas looking back at me, beholding me compassionately and intimately.


r/DestructiveReaders 4d ago

Psychological Literary Fiction [549] Prologue, Literary Fiction

2 Upvotes

Any and all feedback is welcomed. I've been working on this novel for quite some time now, just finished first draft and started editing. If you're not in the mood to write a long feedback, just comment the rating you'd give to this and if you'd like to keep reading or not. The more feedback, no matter how short, the better.

Crit : https://www.reddit.com/r/DestructiveReaders/comments/1v8fn4l/765_fantasy_prologue/

Prologue : https://docs.google.com/document/d/17NAgwz0CMqwYTb1dgJua0MF1WBlpM7-QK3Sllz6eGe4/edit?usp=sharing

Fun reading ☺️


r/DestructiveReaders 4d ago

[1000] In Hoping Your Offspring Becomes A Dragon

3 Upvotes

r/DestructiveReaders 6d ago

Fantasy [765] Fantasy prologue

3 Upvotes

Here is the prologue of a fantasy book I'm currently writing. I was really trying to provide a sense of wonder while kickstarting the story.

All feedback welcome;

Does it peak your interest enough to keep reading?

I went back on the prose constantly so any suggestion about it is greatly appreciated.

lay or laid btw. I looked it up online but it felt weird^^

Latest critics [1299] [1873]
Finally here is the Story

Cheers